The International Monthly Magazine, Volume 5, No. 1, January, 1852Various
History
The International Monthly Magazine, Volume 5, No. 1, January, 1852
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
One of the most picturesque sights in the world, is to see a file of men
and women passing along these wild and craggy paths--slowly,
slowly--that their lamps may have time to illuminate the sky-like
ceiling, and gigantic walls; disappearing behind the high cliffs,
sinking into ravines, their lights shining upward through fissures in
the rocks; then suddenly emerging from some abrupt angle, standing in
the bright gleam of their lamps, relieved against the towering black
masses around them. He who could paint the infinite variety of creation,
can alone give an adequate description of this marvellous region. At one
side of River Hall is a steep precipice, over which you can look down,
by aid of blazing missiles, upon a broad, black sheet of water, eighty
feet below, called the Dead Sea. This is an awfully impressive place,
the sights and sounds of which do not easily pass from memory. He who
has seen it will have it vividly brought before him by Alfieri's
description of Filippo: "Only a transient word or act gives us a short
and dubious glimmer, that reveals to us the abysses of his being; dark,
lurid, and terrific, as the throat of the infernal pool." As you pass
along, you hear the roar of invisible waterfalls, and at the foot of the
slope, the River Styx lies before you, deep and black, overarched with
rock. The first glimpse of it brings to mind the descent of Ulysses into
hell.
"Where the dark rock o'erhangs the infernal lake,
And mingling screams eternal murmurs make."
Across these unearthly waters, the guide can convey but two passengers
at once; and these sit motionless in the canoe, with feet turned apart,
so as not to disturb the balance. Three lamps are fastened to the prow,
the images of which are reflected in the dismal pool.
If you are impatient of delay, or eager for new adventures, you can
leave your companions lingering about the shore, and cross the Styx by a
dangerous bridge of precipices overhead. In order to do this, you must
ascend a steep cliff and enter a cave above, from an egress of which you
find yourself on the bank of the river, eighty feet above its surface,
commanding a view of those passing in the boat, and those waiting on the
shore. Seen from this height, the lamps in the canoe glare like fiery
eyeballs; and the passengers sitting there, so hushed and motionless,
look like shadows. The scene is so strangely funereal and spectral, that
it seems as if the Greeks must have witnessed it, before they imagined
Charon conveying ghosts to the dim regions of Pluto. Your companions,
thus seen, do indeed--
"Skim along the dusky glades,
Thin airy shoals, and visionary shades."
[Illustration: THE RIVER STYX.]
If you turn your eye from the canoe, to the parties of men and women,
whom you left waiting on the shore, you will see them, by the gleam of
their lamps, scattered in picturesque groups, looming out in bold relief
from the dense darkness around them.
Public-domain text, read in full here on John Shaqi.
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