The International Monthly Magazine - Volume V - No IIVarious
History
The International Monthly Magazine - Volume V - No II
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Those who desire, like ourselves, to investigate what tradition has
sanctified, will do well to turn down a lane beyond Chertsey Church, which
leads directly to the Abbey bridge, and there, amid tangled hedge rows and
orchards, stands the fragment of an arch, partly built up, and so to say,
disfigured by brick-work, and an old wall, both evidently portions of the
Abbey. In the wall are a great number of what the people call "_black
stones_," a geological formation, making them seem fused by fire. Layers
of tiles were also inserted in this wall, and where the cement has dropped
away they can be distinctly traced; there is also an ivy, very aged
indeed; it is so knotted and thick that it seems to grow through the
stones, the soil has so evidently encroached on the wall that it is most
probably rooted at the foundation. The pleasant market garden of Mr. Roake
covers the actual ground on which the Abbey stood. The workmen frequently
turn up broken tiles and human bones, and there is no doubt that by
digging deeper much would be discovered that might elucidate the history
of the past. At the farther end of the market garden a vault has been
discovered which is of considerable length and breadth; but the water
rises so high in it (except after a long continuance of dry weather has
sealed the land springs) that it is impossible to get to the end without
wading. An enormous quantity of richly-colored and decorated encaustic
tiles have been found here; some are preserved in our local museum. But
the most interesting remains in this place are the "stews," or fish-ponds,
which run parallel to each other like the bars of a gridiron; these ponds
do not communicate one with the other, nor has the water any outlet: a
little care and attention might make them valuable for their old purposes;
but they are deplorably neglected. Occasionally you see the fin of some
huge fish, whose slow movement partakes of the character of the stagnant
water he has inhabited for years;—who can tall how many?
[Illustration: "THE GOLDEN GROVE."]
"THE GOLDEN GROVE."
"The Abbey River," as it is still called, travels slowly along its way,
fertilizing the meadows and imparting life and freshness to the placid
scene. The denizens of Chertsey have planted orchards, and in a few
instances gardens on its banks. One, the garden of Mr. Herring, is a model
of neatness, almost concealed by its roses and carefully tended shrubs. We
wandered from orchard to orchard, amid the trees and over the uneven
ground; all was so still and lonely that it required the suggestions of an
active imagination to believe it had ever been the scene of contention by
flood and field. From the Abbey Bridge the richness of the meadow scenery
is exceedingly refreshing, the grass is deep and verdant, as it cannot
fail to be, lying so low, and fertilized by perpetual moisture.
Public-domain text, read in full here on John Shaqi.
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