That face was now indeed becoming very beautiful. Every feature had been refined and softened by time. There was soul in the eyes, and a gleam of heaven upon the smile, besides the mere beauties of line and coloring. The form too had nearly reached perfection. It was full of symmetry and grace, and budding charms; and while the mother marked all these attractions, and thought how powerful they would prove in the world, the father felt their influence in a different manner: with a sort of abstract admiration of her loveliness, which went no further than a proud acknowledgment to his own heart that she was beautiful indeed. To him her beauty was as a gem, a picture, a beautiful possession, which he had no thought of ever parting with--something on which his eyes would rest well pleased until they closed forever. How blessed he might have been in the possession of such a child could he have comprehended her--could he have divested his mind of the idea that there was something strange and inharmonious in her character! Could he have made his heart a woman's heart for but one hour, all mystery would have been dispelled; but it was impossible, and it remained. No tangible effect did it produce at the time; but preconceptions of another's character are very dangerous things. Everything is seen through their medium, everything is colored and often distorted. That which produced no fruit at the time, had very important results at an after period. But I must turn now to other scenes and more stirring events, having I trust made the reader well enough acquainted with father, mother, and daughter, at least sufficiently for all the purposes of this tale. It is upon the characters of two of them that all the interest if there be any depends. Let them be marked then and remembered, if the reader would derive pleasure from what follows. TO BE CONTINUED. [From "The Album." Manchester, November, 1850.] THE POET'S LOT. BY PHILIP JAMES BAILEY, AUTHOR OF "FESTUS," ETC.