The International Monthly, Volume 2, No. 1, December, 1850Various
History
The International Monthly, Volume 2, No. 1, December, 1850
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
secret and she was content to live apart. Poor Stella was more than
content, but she overestimated her strength. The marriage took place,
and immediately afterward the husband withdrew himself in a fit of
madness, which threw him into gloom and misery for days. What the
motives may have been for the inexplicable stipulations of this wayward
man it is impossible to ascertain. That they were the motives of a
diseased, and at times utterly irresponsible, judgment, we think cannot
be questioned. Of love, as a tender passion, Swift had no conception.
His writings prove it. The coarseness that pervades his compositions has
nothing in common with the susceptibility that shrinks from disgusting
and loathsome images in which Swift reveled. In all his prose and
poetical addresses to his mistresses there is not one expression to
prove the weakness of his heart. He writes as a guardian--he writes as a
friend--he writes as a father, but not a syllable escapes him that can
be attributed to the pangs and delights of the lover.
Married to Stella, Swift proved himself more eager than ever to give to
his intercourse with Vanessa the character of mere friendship. He went
so far as to endeavor to engage her affections for another man, but his
attempts were rejected with indignation and scorn. In the August of the
year 1717 Vanessa retired from Dublin to her house and property near
Cellbridge. Swift exhorted her to leave Ireland altogether, but she was
not to be persuaded. In 1720 it would appear that the Dean frequently
visited the recluse in her retirement, and upon such occasions Vanessa
would plant a laurel or two in honor of her guest, who passed his time
with the lady reading and writing verses in a rural bower built in a
sequestered part of her garden. Some of the verses composed by Vanessa
have been preserved. They breathe the fond ardor of the suffering maid,
and testify to the imperturbable coldness of the man. Of the innocence
of their intercourse there cannot be a doubt. In 1720 Vanessa lost her
last remaining relative--her sister died in her arms. Thrown back upon
herself by this bereavement, the intensity of her love for the Dean
became insupportable. Jealous and suspicious, and eager to put an end to
a terror that possessed her, she resolved to address herself to Stella,
and to ascertain from her own lips the exact nature of her relations
with her so-called guardian. The momentous question was asked in a
letter, to which Stella calmly replied by informing her interrogator
that she was the Dean's wife. Vanessa's letter was forwarded by Stella
to Swift himself, and it roused him to fury. He rode off at once to
Cellbridge, he entered the apartment in which Vanessa was seated, and
glared upon her like a tiger. The trembling creature asked her visitor
to sit down. He answered the invitation by flinging a packet on the
table, and riding instantly away. The packet was opened; it contained
nothing but Vanessa's letter to Stella. Her doom was pronounced. The
Public-domain text, read in full here on John Shaqi.
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