The International Monthly, Volume 2, No. 1, December, 1850 — John Shaqi
The International Monthly, Volume 2, No. 1, December, 1850Various
History
The International Monthly, Volume 2, No. 1, December, 1850
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Swift stood alone in the world, and for his punishment was doomed to
endure the crushing solitude for the space of seventeen years. The
interval was gloomy indeed. From his youth the Dean had been subject to
painful fits of giddiness and deafness. From 1736 these fits became more
frequent and severe. In 1740 he went raving mad, and frenzy ceased only
to leave him a more pitiable idiot. During the space of three years the
poor creature was unconscious of all that passed around him, and spoke
but twice. Upon the 19th of October, 1745, God mercifully removed the
terrible spectacle from the sight of man, and released the sufferer from
his misery, degradation, and shame.
The volumes, whose title is found below,[1] and which have given
occasion to these remarks, are a singular comment upon a singular
history. It is the work of a Frenchman who has ventured to deduce a
theory from the _data_ we have submitted to the reader's notice. With
that theory we cannot agree: it may be reconcilable to the romance which
M. de Wailly has invented, but it is altogether opposed to veritable
records that cannot be impugned. M. de Wailly would have it that Swift's
marriage with Stella was a deliberate and rational sacrifice of love to
principle, and that Swift compensated his sacrificed love by granting
his principle no human indulgences; that his love for Vanessa, in fact,
was sincere and ardent, and that his duty to Stella alone prevented a
union with Vanessa. To prove his case M. de Wailly widely departs from
history, and makes his hypothesis of no value whatever, except to the
novel reader. As a romance, written by a Frenchman, _Stella and Vanessa_
is worthy of great commendation. It indicates a familiar knowledge of
English manners and character, and never betrays, except here and there
in the construction of the plot, the hand of a foreigner. It is quite
free from exaggeration, and inasmuch as it exhibits no glaring
anachronism or absurd caricature, is a literary curiosity. We accept it
as such, though bound to reject its higher claims. The mystery of
Swift's amours has yet to be cleared up. We explain his otherwise
unaccountable behavior by attributing his cruelty to prevailing
insanity. The career of Swift was brilliant, but not less wild than
dazzling. The sickly hue of a distempered brain gave a color to his acts
in all the relations of life. The storm was brewing from his childhood;
it burst forth terribly in his age, and only a moment before all was
wreck and devastation, the half-distracted man sat down and made a will,
by which he left the whole of his worldly possessions for the foundation
of a lunatic asylum.
[1: _Stella and Vanessa: A Romance from the French. By Lady Duff
Gordon. In two vols. Bentley. 1850.]
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