The International Monthly, Volume 2, No. 1, December, 1850 — John Shaqi
The International Monthly, Volume 2, No. 1, December, 1850Various
History
The International Monthly, Volume 2, No. 1, December, 1850
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
"We shall be asked if Heine really continues to write? Yes; he writes,
he works, he dictates poems without cessation; perhaps he was never in
his whole life as active as now. Several hours a day he devotes to the
composition of his memoirs which are rapidly advancing under the hand of
his secretary. His mind still resembles, in its wonderful fullness and
vigor, those fantastic ball-nights of Paris, which, under the open sky,
unfold an endless life and variety. There rings the music, there rushes
the dance, and the loveliest and grotesquest forms flit hither and
thither. There are silent arbors for tears of happiness and sorrow, and
places for dancing, with light, full of loud bold laughter. Rockets
after rockets mount skyward, scattering millions of stars, and endless
extravagance of art, fire, poesy, passion, flames up, showing the world
now in green, now in purple light, till at last the clear silver stars
come out, and fill us with infinite delight, and the still consciousness
of life's beauty. Yes, Heine lives and writes incessantly. His body is
broken, but not his mind, which, on the sick bed rises to Promethean
power and courage. His arm is impotent; not so his satire, which still
in its velvet covering bears the fearful knife that has flayed alive so
many a Maryas. Yes, his frame is worn away, but not the grace in every
movement of his youthful spirit. Along with his memoirs, a complete
volume of poems has been written in these two years. They will not
appear till after the death of the poet; but I can say of them that they
unite in full perfection all the admirable gifts which have rendered his
former poems so brilliant. So struggles this extraordinary man against a
terrible destiny, with all the weapons of the soul, never despairing in
this vehement suffering, never descending to tears--bidding defiance to
the worst. As I stood before that sick bed, it seemed as if I saw the
sufferer of the Caucasus bound in iron chains, tortured by the vulture,
but still confronting fate unappalled, and there alone on the sea-shore
caressed by sea-nymphs. Yes, this is the sick-bed and the death-bed of a
great and free man; and to have come near him is not only a great
happiness but a great instruction."
Heine has never been well known in this country. The only work
by him we have seen in English is his _Beitrage zur Deutschen
Literatur-Geschichte_, translated by Mr. G.W. Haven, and published in
Boston, in 1846. It is remarkably clever, and audacious, as the
productions of this German-Frenchman generally are. He is now
fifty-three years of age, having been born at Dusseldorff, in 1797. As
several wealthy bankers, and other persons of substance, in Paris, are
related to him, and he has a pension from the French Government, he is
not likely to suffer very much from the losses of property referred to
in the _Zeitung aus Böhmen_.
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Public-domain text, read in full here on John Shaqi.
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