The International Monthly, Volume 2, No. 1, December, 1850Various
History
The International Monthly, Volume 2, No. 1, December, 1850
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
A door in the pedestal leads to a cast-iron
winding stairway which ascends to the head, within which benches have
been arranged for the comfort of visitors, several of whom can sit there
together with ease. The light enters through openings arranged in the
hair, whence also the eye can enjoy the view of the city and the
surrounding country with the magical Alps in the background. The entire
mass of bronze, weighing about 2600 cwt., was obtained from Turkish
cannon lost in the sea at Navarino and recovered by Greek divers. The
value of the bronze is about sixty thousand dollars. The sitting lion
has a height of near thirty feet. It was cast in three pieces, and
completes the composition in the most felicitous manner.
The statue having been completed, the final removing of the scaffolding
around it and its full exposure to the public took place on the 9th of
October. This was a day of great festivity at Munich and its vicinity. A
platform had been erected directly in front of the statue for the
accommodation of King Maximilian and his suite. The festivities began
with an enormous procession of carriages, led by bands of music and
bearing the representatives of the different industrial and agricultural
trades, with symbols of their respective occupations. As they passed
before the King's platform each carriage stopped, saluted his majesty,
and received a few kindly words in reply. The procession was closed by
the artists of Munich. The carriages took their station in a half circle
around the platform. Soon after, accompanied by the thunder of cannon,
the board walls surrounding the scaffold were gradually lowered to the
ground. The admiration of the statue (which by the way is exactly
fifty-four feet high), was universal and enthusiastic. All beholders
were delighted with the harmony of its parts and the loveliness of its
expression notwithstanding its colossal size. The ceremonies of the day
were closed with speeches and music; the painter Tischlein made a speech
lauding King Louis as the creator of a new era for German art. A very
numerous chorus sung several festive hymns composed for the occasion,
after which the multitude dispersed.
* * * * *
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