The Family of Vernet--the "astonishing family of Vernet"--is thus referred to by a Paris correspondent of the _Courier and Enquirer_: "History, probably, does not show another instance of so remarkable a descent from father to son, through four generations, of the possession, in an eminent degree, of a special and rare talent. Claude Joseph was born in 1714, and was the son of a distinguished painter of his day, Antoine Vernet. He excelled all his contemporaries in sea pieces. His son, Antoine Charles Horace Vernet, was, after David, one of the first painters of the empire, excelling especially in battle scenes. His Rivoli, Marengo, Austerlitz, Wagram, and his twenty-eight plates illustrative of the campaign of Bonaparte in Italy, have secured a very high reputation for A.C.H. Vernet. The greatest living French painter--perhaps it may be truly said, the greatest painter of the day--is Horace Vernet, son of the last named. He was born in 1789 _in the Louvre_. He, like his father, excels in battle scenes and is remarkable for the vivacity and boldness of his conceptions. He is now covering the walls of the historic gallery at Versailles with canvas, which will cause him to descend to posterity as the greatest of his family. None of your readers who have visited Versailles, but have stood before and admired till the picture seemed almost reality, his living representations of recent military events in Africa. His last admirable picture of Louis Napoleon on _horseback_ will, it is stated, be one of the greatest attractions of the approaching exposition." * * * * * M. Leutze is expected home from Germany in the spring. He left Philadelphia, the last time, nearly ten years ago. He will accompany his great picture of "Washington crossing the Delaware." Powers's statue of Calhoun, with the left arm broken off by the incompetent persons who at various times were engaged in attempting to recover it, upon being removed from the sea under which it had lain nearly three months was found as fresh in tone as when it came from the chisel of the sculptor. It has been placed in the temple prepared for it in Charleston. Mr. Ranney has completed a large picture representing Marion and his Men crossing the Pedee. * * * * * Kaulbach, according to a letter from Berlin in the November _Art Journal_, was to leave that city about the middle of October, in order to resume for the winter his duties as Director of the Academy of Munich. The sum which he will receive for his six great frescoes and the ornamental frieze, will be 80,000 thalers (12,000_l._ sterling) and this is secured to him, as the contract was made before the existence of a constitutional budget. * * * * *