A BOOK of curious historical interest is now in course of publication in Germany, the first volume of which has already made its appearance. It is the Diary of General Patrick Gorton, who served in Russia during a large part of the seventeenth century, where he attained the highest military rank. He was in the habit of noting every thing that passed around him, or with which he was connected, whether of a political, military, or personal nature. His field of service extended throughout the entire empire, and embraced the most important events in the reign of Peter the Great. He participated in the suppression of the corps of Strelitzes, made two campaigns against the Turks, was active in Peter's reorganization of the army, &c., &c. The first volume comes down to 1678; the remainder will soon follow. As the whole was written without any design of being communicated to the world, it is especially valuable for its glimpses at the domestic habits of the country at that peculiar period. * * * * * GEORGE SAND'S NEW DRAMA.--George Sand's _Claudie_ has had a brilliant fortune at Paris, where it was first performed the second week in January. It is a drama of peasant life, in three acts, in prose. Jules Janin says of it: "The success of Claudie is a true, sincere, and energetic success. It has impassioned the calmest souls; it has calmed the most agitated. This poem is a veritable festival, full of the rustic delights of the country, of the most honorable passions of the human heart, of the noblest sentiments. Add to this, a charm altogether new, a charm both inspired and inspiring, in the style, which is reason and good sense in the most delicious costume. Neither effort nor study is there, but only that simplicity so much sought for in the most precious passages of _Daphnis and Chloe_ translated to the Marivaux by Amyot himself. The piece was listened to with ravishment. There was universal praise among the audience, an inexpressible abundance of tears, of laughter, of gayety, of sighs, of words fitly spoken, of eloquent silence." Of the plot we take the following account from an article by Paul de Musset: From the beginning we feel the air of the country, the harvest, and the sun of August. Farmer Fauveau is preparing to pay the harvesters. His employer, Dame Rose, a young and pretty widow, has just returned from the city, where she had been for a lawsuit. Fauveau, a shrewd but good-natured man, skilfully calls her attention to the sad and agitated air of his son, who is no doubt in love with some one, and with whom can it be except his charming mistress? Dame Rose admits that Sylvain Fauveau is a handsome fellow, and a good and intelligent workman, who would manage affairs with discretion, but he would be jealous of his wife. Jealousy, replies the old man, is a proof of love, and so Dame Rose begins to cherish the idea that Sylvain is in love with her. This is not true, but the old man has said it purposely. He