The International Monthly, Volume 3, No. 2, May, 1851Various
History
The International Monthly, Volume 3, No. 2, May, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
We can easily imagine how the union between Hogarth and his daughter,
commenced after such a fashion, outraged not only the courtliness, but
the higher and better feelings of Sir James Thornhill. Hogarth's innate
consciousness of power may at that time have appeared to him vulgar
effrontery; and it is not to be wondered at, that, until convinced of
his talent, he refused him all assistance. There is something so false
and wrong in the concealment that precedes an elopement, and the
elopement of an only child from an aged father, that we marvel how any
one can treat lightly the outraged feelings of a confiding parent.
Earnest tender love so deeply rooted in a father's heart may pardon, but
cannot reach forgetfulness as quickly as it is the custom of
play-writers and novelists to tell us it may do.
Sir James Thornhill was greatly the fashion; he was the successor of
Verrio, and the rival of La Guerre, in the decorations of our palaces
and public buildings. His demands for the painting of Greenwich Hall
were contested; and though La Fosse received two thousand pounds for his
works at Montague House, besides other allowances, Sir James, despite
his dignity as Member of Parliament for his native town of Weymouth,
could obtain but forty shillings a square yard for painting the cupola
of St. Paul's! Thus the patronage afforded "native talent" kept him
poor; and though it must have been necessary (one of the cruel
necessities induced by love of display in England), to have an
establishment suited to his public position in London, nothing could be
more unpretending than his _menage_ at Chiswick. Mrs. Hogarth, advised
by her mother, skilfully managed to let her father see one of her
husband's best productions under advantageous circumstances. Sir James
acknowledged its merit at once, exclaiming, "Very well! very well! The
man who can make works like this can maintain a wife without a portion;"
and soon after became not only reconciled, but generous to the young
people. Hogarth had tasted the bitterness of labor; he had even worked
for booksellers, and painted portraits!--so that this summer brightness
must have been full of enjoyment. He appreciated it thoroughly, and was
ever the earnest admirer and the ready defender of Sir James Thornhill;
thus the old knight secured a friend in his son; and it was pleasanter
to think of the hours of reconciliation and happiness they might have
passed within the walls of that inclosed garden, beneath the crumbling
trellice, or the shadow of the old mulberry tree, than of the
fortuneless artist wooing the confiding daughter from her home and her
filial duties.
[Illustration: HOGARTH'S PAINTING-ROOM.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account