"As he glances over these long-forgotten pages, and considers his way of life while composing them, the author can very clearly discern why all this was so. After so many sober years, he would have reason to be ashamed if he could not criticise his own work as fairly as another man's; and, though it is little his business and perhaps still less his interest, he can hardly resist a temptation to achieve something of the sort. If writers were allowed to do so, and would perform the task with perfect sincerity and unreserve, their opinions of their own productions would often be more valuable and instructive than the works themselves. At all events, there can be no harm in the author's remarking that he rather wonders how the _Twice-Told Tales_ should have gained what vogue they did, than that it was so little and so gradual. They have the pale tint of flowers that blossomed in too retired a shade--the coolness of a meditative habit, which diffuses itself through the feeling and observation of every sketch. Instead of passion, there is sentiment; and, even in what purport to be pictures of actual life, we have allegory, not always so warmly dressed in its habiliments of flesh and blood as to be taken into the reader's mind without a shiver. Whether from lack of power or an unconquerable reserve, the author's touches have often an effect of tameness; the merriest man can hardly contrive to laugh at his broadest humor, the tenderest woman, one would suppose, will hardly shed warm tears at his deepest pathos. The book, if you would see any thing in it, requires to be read in the clear, brown, twilight atmosphere in which it was written; if opened in the sunshine, it is apt to look exceedingly like a volume of blank pages....