English travellers in America give very minute accounts of the bad grammar and questionable pronunciation they sometimes hear among our common people: with what advantage they might go into the rural neighborhoods of their own country for exhibitions in this line is shown by the following description of a scene in a booth, which one of the characters of Mr. Kingsley enters at night: "Sadder and sadder, Lancelot tried to listen to the conversation of the men around him. To his astonishment he hardly understood a word of it. It was half articulate, nasal, guttural, made up almost entirely of vowels, like the speech of savages. He had never before been struck with the significant contrast between the sharp, clearly-defined articulation, the vivid and varied tones of the gentleman, or even of the London street-boy, when compared with the coarse, half-formed growls, as of a company of seals, which he heard round him. That single fact struck him perhaps more deeply than any; it connected itself with many of physiological fancies; it was the parent of many thoughts and plans of his after-life. Here and there he could distinguish a half sentence. An old shrunken man opposite him was drawing figures in the spilt beer with his pipestem, and discoursing of the glorious times before the great war, 'when there was more food than there were mouths, and more work than there hands.' 'Poor human nature,' thought Lancelot, as he tried to follow one of those unintelligible discussions about the relative prices of the loaf and the bushel of flour, which ended, as usual, in more swearing and more quarreling, and more beer to make it up: 'poor human nature! always looking back, as the German sage says, to some fancied golden age, never looking forward to the real one which is coming." The descriptive powers of the author are illustrated in many fine passages, of which this delineation of an English day in March will serve as a specimen: