The International Monthly, Volume 3, No. 3, June, 1851Various
History
The International Monthly, Volume 3, No. 3, June, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Yet not always does "tact" array itself in silken softness, or "stoop
to conquer:" some ply the trade with no less success under the guise
of rough and candid honesty: these men declare loudly that they always
speak their minds: come upon us with a bluff sincerity, disarming
prudence by an appearance of incautious trust and open-heartedness.
They "cannot cog," they cannot sue, they profess noisily to abhor
"humbug," as they term it, in every shape:--a strange ingratitude _to
what they chiefly thrive by_; for certain it is, that though
doubtlessly "all honorable men," these are the most insidious
tacticians, and generally of the worst kind.
Hitherto we have spoken of "tact" in its deteriorated shape, and
indeed the word seems to have got so bad a name that its bare mention
breathes distrust. Yet there is a medium class of men who, like
William of Orange, reduce violent feelings even to frigidity, and
allowing discretion her widest scope, do not entirely obliterate the
affections. Machiavelli says that "seldom men of mean fortunes attain
to high degrees without force or fraud, and generally rather by the
latter than the former," and hence he recommends guile to be
adopted--but these, to whom we now allude, practise prudence, yet
preserve their guileless sincerity. Here, though the term is rather
univocal, and seems to apply only to our concerns with others, its
healthy action is forcibly evinced on the individual's mind, for it
disciplines the impulses and reviews for ready co-action reason's
powers. So high did the ancients in their sense regard it, that they
elevated it to a divinity--"Nullum numen adest si sit Prudentia,"
though, as Addison observes, "this sort of discretion has no place in
private conversation between intimate friends. It occupies a neutral
ground between caution and art, uses expediency instead of integrity,
and hence deceives us by the first, when we look for the consistency
of the latter." Almost ever combined with conceit (the pride of
questionable success), it never possesses the magnanimity to confess
an error; for this detracting from its arrogated infallibility might
deteriorate its influence: it will acknowledge vices (if polite), but
will never plead guilty to mistakes, since the grossest charge against
the "man of tact" at the bar of self, much more of public judgment, is
not the perpetration of a sin--but the commission of a blunder!
From the "Revue des Deux Mondes."
A WRECK OF THE OLD FRENCH ARISTOCRACY.
AN INCIDENT OF TRAVEL IN THE LIMOUSIN.
Public-domain text, read in full here on John Shaqi.
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