The International Monthly, Volume 3, No. 3, June, 1851Various
History
The International Monthly, Volume 3, No. 3, June, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
We have said he was an adept in listening: indeed it was averred that
he obtained a large estate by the quiet attention with which he
listened to the toothless twaddle of a senile Dowager--age's
garrulity--the echo of an empty hall which thought has quitted. He
rarely, however, in any case interrupts the driest drawler, for he
has tutored attendants who understand not only whom to admit, but also
a hint as to the proper duration of a conference, and these with ready
message cut short the intruder's dull delay. If, also, in public or
private he be himself interrupted, he never loses his temper or the
point; resumes the thread just where it was broken, and with polite,
yet unswerving pertinacity, directs the minds of all to the wished-for
end, in spite of every purposed or involuntary attempt to distract
them into devious channels. Some men, like jackdaws, proclaim with
noisy loquaciousness their most private matters, alarming the public
horizon with egotistical chatter about their own nests: "tact," as the
master of it, Cromwell, knew, acknowledges the "safety of silence,"
and like the rat,--a subtle politician!--saps vast fabrics by an
insidious, unheard gnawing underground!
Briefly, this man listens much, speaks little--mostly the latter when
he would conceal his thoughts--keeps his eyes and ears open, his mouth
and his heart closed. With numerous admirers, he has many enemies--the
latter's hostility is however repressed by fear, and the regard of the
other, somehow, never ripens into love; it may be that selfishness,
the concomitant of tact, forbids affection. We have shown the fair
side of the portrait hitherto drawn from the respectable sphere (as it
is called) of life; but it has its evil counterpart or reverse to be
seen in a notorious receiver of stolen property, ever watched by, yet
ever baffling the police,--one, who, having helped many to the hulks,
has by sheer cunning (tact in motley!) himself escaped. The
consciences of both are similarly guided by the law of public not
private morality--interest is the ruling principle of both; even the
drudgery of each assimilates, for a life of dissimulation is a very
hard one. What actor would be _always_ on the stage? Both are
commercial men in a sense, though one lives at the west-end, the other
near Seven-dials; sometimes they meet,--the rich, upon--the poor,
before, the bench--"the Justice" in silk "frowns" on the speciously
"simple thief" in rags; yet nature has cut the countenances of both
from the same piece, and true it is that her "one touch," the
prevalence of tact, successful here,--in hard confronting
there--renders both "akin."
Public-domain text, read in full here on John Shaqi.
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