it, we riot in it; we blazon the name everywhere to flatter our national pride and humiliate the foreigner. And, curious enough, the foreigner _is_ humiliated! He turns his head away as he passes Waterloo-house; he declines crossing Waterloo-bridge, or crosses it in a passion; and even his national dread of rain cannot induce him to ride in a Waterloo omnibus. Of all the many profound misconceptions of English society current in France, none, we venture to say, is more completely baseless than the belief in the English feeling about Waterloo. Though it would be impossible to persuade a Frenchman that omnibus proprietors, hotel keepers, and builders were guilty of no national swagger in using the offending word 'Waterloo.'" SCHALKEN THE PAINTER.--A GHOST STORY. We take the following from a volume of of ghost stories, with illustrations by Phiz, which has lately been published in London. One Minheer Vanderhausen, through the means of a certain persuasive eloquence, backed by money, becomes the husband of Rose, the niece of Gerard Douw, and with whom Schalken, the celebrated painter's pupil, was in love. Vanderhausen and his wife set out ostensibly for Rotterdam, but receiving no communication from either for a long time, Gerard resolves upon a journey to the city. No such individual as Vanderhausen is known there, and the fate of the poor wife is told as follows:-- "One evening, the painter and his pupil were sitting by the fire, having accomplished a comfortable meal, and had yielded to the silent and delicious melancholy of digestion, when their ruminations were disturbed by a loud sound at the street door, as if occasioned by some person rushing and scrambling vehemently against it. A domestic had run without delay to ascertain the cause of the disturbance, and they heard him twice or thrice interrogate the applicant for admission, but without eliciting any other answer but a sustained reiteration of the sounds. They heard him then open the hall-door, and immediately there followed a light and rapid tread upon the staircase. Schalken advanced towards the door. It opened before he reached it, and Rose rushed into the room. She looked wild, fierce, and haggard with terror and exhaustion; but her dress surprised them as much even as her unexpected appearance. It consisted of a kind of white woollen wrapper, made close about the neck, and descending to the very ground. It was much deranged and travel soiled. The poor creature had hardly entered the chamber when she fell senseless on the floor. With some difficulty they succeeded in reviving her; and on recovering her senses she instantly exclaimed, in a tone of terror rather than mere impatience, 'Wine! wine!--quickly, or I'm lost!"