A new German work, entitled _Klopstock in Zurich from the years 1730 to 1751_, gives quite a new portrait of the poet of the Messias, who, both by the time of his appearance and by the dignity of his theme, is held as the patriarch of German poetry. In this sprightly little volume the mystic halo with which an exaggerated homage has invested the head of the genial young German rolls away, and we behold a pleasant fellow in gay summer costume, floating about upon the blue lake of Zurich, surrounded by a circle of fair and admiring votaries, to whom he chants strains from his immortal poem, and reaps a harvest of kisses in return. We behold a chivalrous equestrian dashing through the still streets of old Zurich, draining unreasonable depths of beer with wild students, biting glass, and swallowing coal, until the old Bodmer with whom he was living--a reverential admirer of the great Prophet of the Messias, and in whose imagination Klopstock sat separate in a godlike and passionless serenity--was bitterly grieved by these earthly experiences of a Greek rather than of a Christian divinity, complained, remonstrated, rebuked, until the jovial poet was forced to leave the good Bodmer's house, and betake himself to Rape's, with whom he sat in silken hose, and speculated upon the universe. It is always pleasant to hear these human facts of the heroes of fame and imagination. Few things remove Washington farther from the general sympathy than the unbending austerity of hue in which his mental portrait is always colored. Why should our great men, whose humanity makes them dearer, go so solemnly and sadly through all posterity? Burns could draw the tired hostlers of village inns from their beds to listen open-mouthed and open-hearted to his wondrous and witching stories. Shakspeare shall always have stolen sheep, even though De Quincy proves by splendid and resonant reasoning that he could never have done it. Raphael shall have been a warm-blooded man, spite of our cold-blooded speculations upon his saintship, so that we shall not wonder at De Maistre's delicate and dainty truth that the Fornarina "loved her love more than her lover." Not that sheep-stealing, or any other peccadillo is beautiful, or in any way to be commended or imitated, but that these are the signs of human and actual sympathy which these great and glorious geniuses show us--as stately sky-sailed galleons, sweeping the sea into admiring calm at their progress, might hang out simple lanterns to the fishing-smacks around, to show their crews that the same red blood was the sap of all that splendid life. "Is he not the Just?" "Yes--and because he is the Just, I have done it." Poor old Herr Bodmer could not see with equanimity the illustrious guest of his imagination boating about the lake with the girls at Zurich, and selling the stanzas--of priceless worth to him--for a snatched and blushing kiss. For our own part, we are glad that generous Mr. Morikofer