The International Monthly, Volume 4, No. 1, August, 1851Various
History
The International Monthly, Volume 4, No. 1, August, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Near the solitary palm-tree, which grows in the middle of the highway
affecting to communicate[11] between Athens and the Piræus, a
polygonal structure has been built, which is entered through a dark,
narrow passage leading from the road in front to a yard at its rear. A
ladder fixed against the wall forms the usual mode of ingress to a
very small room, which on a certain carnival night, not long ago, was
crowded by hats, cloaks, and Greeks, both male and female; the former
busily occupied in smoking, the latter in concocting some
indescribable liquid intended as a light refreshment to wearied
dancers. For the Maid of Athens--the quondam Mariana Macri--the actual
Mrs. Black, was about to give a ball. From the before-mentioned small
entrance-room the guests passed into the principal saloon, exactly
coinciding in its strange shape with the exterior of the house. At the
upper end an open door revealed a bed, on which shortly afterwards the
orchestra, consisting of two fiddlers, took up their position, with
knees protruding into the ball-room.
Every thing was of the rudest, the most unadorned, and Robinson
Crusoe-like, description. At the first glance it became evident that
the "geraniums and Grecian balms," which an enthusiastic traveller
once endeavored to magnify into "waving aromatic plants," had long ago
withered from the hostess's possession, never to be replaced. But she,
the fairest flower of all, with her two sisters, still retain no
inconsiderable remnants of beauty; which is the more remarkable in a
country where good looks vanish, and age arrives, so speedily. Indeed,
good looks at all are rare among the continental Greek women; the
celebrated beauties being usually islanders, and chiefly Hydriotes.
Mrs. Black was attired in her coquettish native costume, consisting of
a red fez, profusely ornamented with gold embroidery, placed on one
side of the head; a long flowing silk petticoat, and a close-fitting,
dark velvet jacket. A similar dress was worn by her sister, Madame
Pittakis, the wife of the celebrated antiquary, and _guardian of the
Acropolis_; in virtue of which magnificent title he receives two
drachmæ (about 1_s._ 7_d._) per head for admission to the Parthenon.
The third Grace, being a widow, was dressed entirely in black. The
company comprised a motley assemblage in Frank, and the varying
provincial Greek costumes, diversified here and there by personages in
King Otho's uniform. But the dancers of the _beau sexe_ were extremely
few, and, to say the least of them, very indifferent performers.
However, what they needed in skill and energy, was amply made up by
the vivacity of their graceful and vainglorious lords; who, despite
the clouds of dust from the dirty floor, and equally dirty shoes,
continued an almost ceaseless round of their national dance, the
Romaïka, only pausing at intervals to recruit their strength with
glasses of burning rakee, the beverage most in demand. Those bowls of
Public-domain text, read in full here on John Shaqi.
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