The International Monthly, Volume 4, No. 1, August, 1851Various
History
The International Monthly, Volume 4, No. 1, August, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Samian wine which figure so charmingly in poetry, form, alas! but
sorry items in prosaic matter-of-fact repasts; and one feels, indeed,
disposed to dash them any where _but_ down one's throat. Of the
dancers, one of the most active was Mrs. Black's son, a handsome
youth, apparently about eighteen years of age; together with her
husband, who, from being a Norfolk farmer, is now elevated to the
somewhat anomalous position of English Professor at the Athenian
University. The fair Mariana herself is quiet and retiring; and
seemingly little anxious to profit by the factitious interest with
which Byron's transient admiration continues to invest her; for, in
reply that night to a blundering Englishman's point blank queries
concerning the poet, she answered, "_Non mi ricordo più di lui_."
Soon after midnight the guests departed, at the imminent hazard of
breaking their necks, either down Mrs. Black's ladder, or in the
numerous holes that intervened between her residence and their
respective abodes. But we could not help thinking, that, uncouth as
had been the entertainment, it was more in accordance with the social
position of a people whose Ministers are not always competent to read
or write, and whose legislators occasionally enforce their political
arguments by flinging their shoes in the faces of the opposition, than
the exotic civilization of the gaudy little court, presided over by
that loveliest of royal ladies, Queen Amalia.
FOOTNOTES:
[11] At the period of which I write, this road, although the principal
approach to the capital, was impassable, and passengers pursued,
instead, a devious and uncertain track through corn-fields, ditches,
and the rocky bed of the Cyphissus.
From the French of Eugene de Mirecourt,
THE HISTORY OF A ROSE
The gallery parallel to the course of the Seine, and which joins the
Palace of the Tuileries to the Louvre, was designed by Philibert de
l'Orme, and finished towards the end of 1663. On the 15th of January,
1664, Louis the Fourteenth descended into the vast greenhouses, where
his gardener, Le Nôtre, had collected from all parts of the world the
rarest and most beautiful plants and flowers.
The air was soft and balmy as that of spring-time in the south. At the
right of the great monarch stood Colbert, silently revolving gigantic
projects of state; at the left was Lauzun, that ambitious courtier,
who, not possessing sufficient tact to discern royal hatred under the
mask of court favor, was afterwards destined to expiate, at Pignerol,
the crime of being more amiable and handsomer than the king.
"Messieurs," said Louis, showing to his companions a long and
richly-laden avenue of orange trees, "are not these a noble present
from our ancient enemy, Philip the Fourth, now our father-in-law? He
has rifled his own gardens to deck the Tuileries; and the Infanta, we
hope, when walking beneath these trees, will cease to regret the shade
of the Escurial."
Public-domain text, read in full here on John Shaqi.
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