The International Monthly, Volume 4, No. 2, September, 1851Various
History
The International Monthly, Volume 4, No. 2, September, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
The fruitfulness of modern
invention in the arts of life, the general fusion of thought
through the medium of an extra-territorial literature, which
from its easy domestication among us is scarcely regarded as
foreign, the convenience and comfort of European customs
which have been incorporated into our scheme of living,--all
these, aided and diffused by our extraordinary facilities of
travel and circulation, have made sad work, even in the
present generation, with those old _nationalisms_ that were
so agreeable to the contemplation of an admirer of the
picturesque in character and manners.
[Illustration: THE "SWALLOW BARN."]
"Looking myself somewhat hopelessly upon this onward gliding
of the stream, I am not willing to allow these sketches of
mine entirely to pass away. They have already begun to
assume the tints of a relic of the past, and may, in another
generation, become archæological, and sink into the chapter
of antiquities. Presenting, as I make bold to say, a
faithful picture of the people, the modes of life, and the
scenery of a region full of attraction, and exhibiting the
lights and shades of its society with the truthfulness of a
painter who has studied his subject on the spot, they may
reasonably claim their accuracy of delineation to be set off
as an extenuation for any want of skill or defect of finish
which a fair criticism may charge against the artist. Like
some sign-post painters, I profess to make a strong
likeness, even if it should be thought to be _hard_,--and
what better workmen might call a daub,--as to which I must
leave my reader to judge for himself when he has read this
book. The outward public award on this point was kind, and
bestowed quite as much praise as I could have desired--much
more than I expected--when the former edition appeared. But
"the progress" has brought out many competitors since that
day, and has, perhaps, rendered the public taste more
scrupulous. A book then was not so perilous an offering as
it is now in the great swarm of authorships. We run more
risk, just now, of being left alone--unread--untalked
of--though not, happily, unpuffed by newspapers, who are
favorites with the publisher, and owe him courtesies.
Public-domain text, read in full here on John Shaqi.
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