The International Monthly, Volume 4, No. 2, September, 1851Various
History
The International Monthly, Volume 4, No. 2, September, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Poesy has mixed its plaintive strains in the lamentations and oracles
of insane or inspired reformers, and the aberration or illumination of
a kindred spirit breaks forth in the wizard words of a prophet or a
bard. Some favored scions of the royal priesthood and chosen
generation of whom we speak seem to mingle these various and
heterogeneous ingredients, the cynic's lash with the seer's lamp,
mathematical squares and compasses with the conjurations of the
diviner. Their proportions, both harmonious and deformed, bespeak
their consanguinity with an extensive family, whose branches are
scattered through broad lands, and are not confined to a single
variety of the human race, though the quality and quantity of their
_esprit de corps_ may be especially predicated of the Caucasian race.
There are sovereign natures that bespeak the choice blood of rival and
remote races mingling in their veins, and which may claim kinsmanship
in opposite and conflicting clans of teachers. We have Indo-Germanic
minds, whose massive substance is relieved by the arabesque of the
Semitic style of thought, and which, though stamped with the
characteristic mould of their parentage, fling aside much of its
speciality, and stand forth as magnates in the universal aristocracy
of humanity.
An example of a rich nature cast in this mould has been presented of
late years in France, in the person of Charles Fourier. Though
indelibly French, he is still more human, and though Teutonic elements
enter largely as component parts of his frame, and the Romance genius
has cast its sunshine tints over his canvas, yet has he bravely shaken
off the chains of generic and specific modes of thought and sight, and
the priestly hieroglyphs and geometry of Egypt are seen to blend with
Persian dualism and the prophetic wand of Hebrew seers in his pages.
Nay, the mantle of Mohammed might seem to have fallen on his capacious
shoulders, to judge from the strangely glorious flights of his fancy,
and the tangible solids of his elysium. Thus the nations would appear
to have converged towards and centred in this brain, and to have
dropped in their pearls or their paste, as the case might be.
Exaggerating the mathematical precision of French thought, it is yet
tempered in a manner somewhat uncommon, by the most wholesale
picture-writing on which man ever yet ventured. The flaming
double-edged critic's sword is sometimes changed in his hands, after a
manner wonderful to relate, into an Esculapian staff, which farther
suffers a frequent conversion into Mercurian caduceus and Bacchanile
Thyrsus, and at another time assumes the proportions of Midas's wand.
Never was such a many-faced Janus seen in the flesh as this man, who
exceeds Proteus and Hindoo avatars in multiplicity combined with
unity.
Public-domain text, read in full here on John Shaqi.
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