writings against foreign appropriations of their copyrights, they are often very much flattered by their adoption. The audacious single-volume piracies of Galignani and Baudry of Paris, of the poetry of Byron, Scott, Southey, Moore, Coleridge, Shelley and others, were often looked upon by the parties who might be expected to consider themselves most aggrieved, as conferring a distinction upon their writings calculated to increase their reputation in this country. In several instances within our knowledge, the materials for the biographical notices which prefaced the respective volumes were supplied by the authors themselves! Lord Byron, so far from expressing any indignation at the liberty which Messrs. Galignani had taken with his writings, assisted them in identifying them, and wrote interesting autograph letters to aid in their illustration. Southey, as we gather from one of his letters, was rather flattered than otherwise at the republication of his poetry in Paris, and if rumor may be credited, Moore corrected the proofs, and furnished materials for the biography of one or more of the foreign editions of his works. Mr. Bowles and several other poets whose writings were included in this series, not only furnished notes for the Biographical Prefaces, but indicated to the editor the publications from which their fugitive writings should be collected. Mrs. Hemans furnished several notes and suggestions for one of the American editions of her works, and sent copies to her friends as evidence of her translantic popularity. In fact we have rarely met with an author whose writings have been deemed worthy of being reprinted abroad, who has not considered himself flattered by the preference. We do not of course profess to believe that their publishers were equally complimented by this unceremonious invasion of their property. So long as the sale of such piracies were limited to the continent, we doubt if they were the means of abstracting a great deal from the pockets of either the author or publisher; but for very many years they were allowed to be imported in single copies, during which period they were introduced into this country in large quantities. They were, however, purchased rather from their compactness than for their cheapness, and the instant Mr. Murray published a handsomely printed single volume edition of the Poetry of Lord Byron at a moderate price, the trade in French and Belgian piracies of British copyrights was almost destroyed. Why should we not print cheap editions for exportation? The drawback on the paper, and the superiority of our printing and binding would be sufficiently obvious to enable us to obtain a better price than would be given for such coarse reprints as are usually hurried into circulation in America. We cannot but believe that such an enterprise might be carried out successfully. There is scarcely an edition, at a moderate price, of any American author, that is worthy of the library; and