The International Monthly, Volume 4, No. 3, October, 1851Various
History
The International Monthly, Volume 4, No. 3, October, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
looking at the quality of the paper and print, we doubt if the American
booksellers could afford a volume of similar quality at the price charged
by Mr. Bohn for his reprints.
Any plan is, however, better than that suggested at the late meeting, of
becoming pirates ourselves to cure our neighbors of their buccaneering
propensities. The comparatively small number of works of mark which are now
produced in America (there have been no prose writers of any very great
eminence since the heyday of the literary lives of Irving, Cooper, and
Channing, if we except Mr. Prescott) goes far to show that national
literature is all but annihilated in that country, and that the evil must
eventually, in a great measure, correct itself. In a recent American
newspaper it is stated that protection is not refused in that country to
any British author who will go through the necessary forms by which he
becomes qualified for the privilege. Our readers will smile to hear that
one of these conditions consists of an oath, by which the candidate for
copyright in America is required to "renounce for ever all allegiance and
fidelity to any foreign prince, potentate, state or sovereign, whatever,
and particularly _to the Queen of the United Kingdom of Great Britain and
Ireland!"_ The late Captain Marryat declined to comply with these terms,
although another English author, of undeniable reputation, has, it is
affirmed, not scrupled to bolt this denationalizing pill. We have not heard
if he has turned his privilege to any account.
From Fraser's Magazine.
A COUNTRY GENTLEMAN AT HOME.
BY C. ASTOR BRISTED.
It was a lovely October day; the temperature perfectly Elysian--not half a
degree too hot or too cold--and the air moister than is usual in the dry
climate of the Northern States, altogether reminding one of Florence in
early autumn, only less enervating. Ashburner and the Harry Bensons were
gliding up the Hudson in a 'floating palace,' which is American
penny-a-liner for a northriver steamboat. Gerard Ludlow was on board,
handsome and _distingué_ as ever, but a little thinned and worn by
numberless polkas. He had got rid of his wife by a mighty effort, and was
going to play _le Mari à la Campagne_--not at Ravenswood, however, but with
some of the Van Hornes who lived higher up the river. While the young
exquisite was rattling on in a sort of Macaronic French to Mrs. Benson
about the mountains of Switzerland and the pictures of Italy, the ascent of
the Nile and "that glorious _Clos-Vougeot Blanc Mousseux_ at the
_Anglais_"--every topic, in short, that had not the least connection with
America--Ashburner was witnessing for the third time, with unabated
admiration, the magnificent scenery of the classic American river--for
classic it is to a New-Yorker since Washington Irving has immortalized its
legends.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account