The International Monthly, Volume 4, No. 3, October, 1851Various
History
The International Monthly, Volume 4, No. 3, October, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
... "They are certainly not in the high key of a man warm
with his subject, and doing the thing finely; I wrote them
with the reluctance of a turkey-hunter kept from his
sport--only Mr. Kennedy's urgent entreaty and remonstrance
whipped me up to the labor. You will hardly perceive how
they should be called "Ballads." You are somewhat
responsible for the name. I designed (originally) to make
them short poems of the old understood ballad cast. I sent
you the proem, which you published as a preface to the
"Froissart Ballads." Words in print bore a look of
perpetuity (or rather of fixedness) about them, and what I
would have changed if only my pen and portfolio had been
concerned, your type deterred me from changing. The term
"Froissart Ballads," however, is after all correct, even
with the poems as they are. The Master of Bolton is as much
a _song_ as the Lay of the Last Minstrel, although I have no
prologue, interludes, &c., to show how it was sung; and as
for Orthone, &c. Sir John Froissart may as easily be
imagined chanting them as talking them."
Again he wrote:
"You will find them beneath your sanguine prognostic. They
are mere narrative poems, designed for the crowd. Poetic
speculation, bold inroads upon the debatable land--"the wild
weird clime, out of space out of time"--I have not here
attempted. I _will_ hereafter merge myself in the nobler
atmosphere; in the mean time I have stuck to the ordinary
level, and endeavored to write interesting stories in verse,
with grace and spirit. I repeat my fear that in writing for
the cold, I have failed to touch the quick and warm--in
writing for a dozen hunting comrades, who have been in the
habit of making my verse a _post prandium_ entertainment,
and never endured an audacity of thought or word, I have
tamed myself out of your approbation."
The book was at length published, but though reviewed very favorably by the
late Judge Beverly Tucker, in the Southern Literary Messenger, and by Mr.
Poe, in the American Review, and much quoted and praised elsewhere, it was,
on the whole, not received according to its merits or our expectations. Yet
the result aroused the author's ambition, and after a few weeks he remarked
in a letter:
"My literary life opens now. If the world manifest any
disposition to hear my 'utterances,' it will be abundantly
gratified. I am thirty: until forty literature shall be my
calling--avoiding however to rely upon it pecuniarily--then
(after forty) politics will be a _sequitur_.
Public-domain text, read in full here on John Shaqi.
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