"Pyrrhus" obtained, after all, but a transitory success. After a brief period, the public began to discover that it was a foreign plant, which under a new sky gave out but a factitious brilliancy. In despair at having wasted so much precious time in fruitless labor, and disgusted besides at the conduct of some shameless intriguers who frequented the literary cafés of the capital, singing his defeat in trashy verse, Crebillon now retired almost wholly from the world. He would visit the theatre, however, occasionally to chat with a few friends over the literary topics of the day; but at length even this recreation was abandoned, and he was seen in the world no more. He lived now without any other friends than his heroes and his cats and dogs, devouring the novels of La Calprenède, and relating long-winded romances to himself. His son affirms having seen fifteen dogs and as many cats barking and mewing at one time round his father, who would speak to them much more tenderly than he would to himself. According to Freron's account, Crebillon would pick up and carry home under his cloak all the wandering dogs he met with in the street, and give them shelter and hospitality. But in return for this, he would require from them an aptitude for certain exercises; when, at the termination of the prescribed period, the pupil was convicted of not having profited by the education he had received, the poet would take him under his cloak again, put him down at the corner of a street and fly from the spot with tears in his eyes. On the death of La Motte, Crebillon was at length admitted into the Academy. As he was always an eccentric man, he wrote his "Discourse" of reception in verse, a thing which had never been done before. On pronouncing this line, which has not yet been forgotten-- Aucun fiel n'a jamais empoisonné ma plume-- he was enthusiastically applauded. From that day, but from that day only, Crebillon was recognized by his countrymen as a man of honor and virtue, as well as genius. It was rather late in the day, however; he had lost his wife, his son was mixing in the fashionable world, he was completely alone, and almost forgotten, expecting nothing more from the fickle public. More idle than a lazzarone, he passed years without writing a single line, though his ever-active imagination would still produce, mentally, tragedy after tragedy. As he possessed a wonderful memory, he would compose and rhyme off-hand the entire five acts of a piece without having occasion to put pen to paper. One evening, under the impression that he had produced a masterpiece, he invited certain of his brother Academicians to his house to hear his new play. When the party had assembled, he commenced, and declaimed the entire tragedy from beginning to end without stopping. Judging by the ominous silence with which the conclusion was received, that his audience was not over delighted with his play, he exclaimed, in a pet--