The International Monthly, Volume 4, No. 4, November 1, 1851Various
History
The International Monthly, Volume 4, No. 4, November 1, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Presently my father and mother were shown into an adjoining room, the
interior of which I felt an irrepressible desire to see, and by stealth I
obtained a glimpse of it before the door closed behind them. There was a
dull brown and yellow carpet on the floor, and near the bed, on which was a
blue and white coverlid, stood a high backed wooden chair, over which hung
a towel, and on the bottom of which stood a pitcher, of an unique pattern.
I know not how I saw this, but I did, and perfectly remember it,
notwithstanding my attention was in a moment completely absorbed by the
sick man's face, which was turned towards the opening door, pale, livid,
and ghastly. I trembled, and was transfixed; the rings beneath the eyes,
which had always been deeply marked, were now almost black, and the blue
eyes within looked glassy and cold, and terrible. The expression of agony
on the lips (for his disease was one of a most painful nature) gave place
to a sort of smile, and the hand, twisted among the gray locks, was
withdrawn and extended to welcome my parents, as the door closed. That was
a fearful moment; I was near the dark steep edges of the grave; I felt, for
the first time, that I was mortal too, and I was afraid.
Aunt Carry put away her work, and taking from a nail in the window-frame a
brown muslin sun bonnet, which seemed to me of half a yard in depth, she
tied it on my head, and then clapt her hands as she looked into my face,
saying, "bopeep!" at which I half laughed and half cried, and making
provision for herself in grandmother's bonnet, which hung on the opposite
side of the window, and was similar to mine, except that it was perhaps a
little larger, she took my hand and we proceeded to the mill. Oliver, who
was very busy on our entrance, came forward, as aunt Carry said, by way of
introduction, "A little visitor I've brought you," and arranged a seat on a
bag of meal for us, and taking off his straw hat pushed the red curls from
his low white forehead, and looked bewildered and anxious.
"It's quite warm for the season," said aunt Carry, by way of breaking
silence, I suppose. The young man said "yes," abstractedly, and then asked
if the rumble of the mill were not a disturbance to the sick room, to which
aunt Carry answered, "No, my father says it is his music."
"A good old man," said Oliver, "he will not hear it much longer," and then,
even more sadly, "every thing will be changed." Aunt Carry was silent, and
he added, "I have been here a long time, and it will make me very sorry to
go away, especially when such trouble is about you all."
Public-domain text, read in full here on John Shaqi.
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