The International Monthly, Volume 4, No. 4, November 1, 1851Various
History
The International Monthly, Volume 4, No. 4, November 1, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
But in the fine arts, it appears, we are sunk so far beneath contempt that
we really wonder that the doctor should have found it, in this particular,
worth while to abuse us. "There are but two monuments in all America worthy
of mention, and both are in Baltimore. Philadelphia and New-York have
nothing of the kind to show, though each city possesses two public squares
or parks planted with trees, which are well adapted to receive such works
of art, and where the eye sadly misses them." "Public and private
collections of statues and pictures are altogether wanting, and the walls
of the rich are generally devoid of paintings and copper-plate engravings.
What they have generally consists of family portraits, or those of
Washington and other presidents. But to dazzle the eye, we find in the
possession of the wealthy, the most worthless pictures in expensive gold
frames. Of late years a public gallery has been established in New-York for
the sale of such productions. As far however as the works of native artists
are concerned, we find among them none inspired by high art; on the
contrary, they are generally, to the last degree, mediocre affairs, or mere
daubs (_wahre Klecksereien_) not worth hanging up; the better however are
exaggerated and unnatural both in subject and color. This is also the case
with most of the copper-plate engravings exposed for sale in the French
shop-windows, and which appear almost as if manufactured in Paris expressly
for the American taste. The inferior appreciation of art in the Americans
and their delight in extravagance is particularly shown in the political
caricatures, which are entirely deficient in all refined wit, consisting
either of stupid allusions to eminent men or party leaders, or direct and
clumsy exaggerations."
By way of amends for all this abuse, our author admits that we excel in all
practical arts and labor-saving inventions. "But in proportion to the
backward state of the fine arts, is the advance which the Americans have
made in all pertaining to mechanics, and technical art. Particular
attention is paid to the supplanting of hand labor by machinery. Even the
most trifling apparatus or tool is constructed with regard to practical
use, and it only needs a more careful observation of this to convince us
that in all such matters they have the advantage of Germany.
"It is often truly startling to see how simply and usefully those articles
used in business are constructed--for example, the one-horse cars (_drays
or trucks?_) and hand-carts, employed in conveying merchandise to and from
stores. As a proof how far the Americans have advanced in mechanic arts, we
may mention that high houses, of wood or brick, several stories high and
entire, are transported on rollers to places several feet distant.
Occasionally, to add a story, the house is raised by screws into the air
and the building substructed. In either case the family remains quietly
dwelling therein."
Public-domain text, read in full here on John Shaqi.
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