Is it not true, Sir, that the romance is the prose epic of modern society, and that we now look to its pages for the most graphic portraitures of men, manners, and events? Social and political life is too complex now for the stately march of the heroic poem, and this age of print needs not the carefully measured verse to make sentences musical to the ear, or to save them from being mutilated by circulation. The romance is now the chosen form of imaginative literature, and its gifted masters are educators of the popular ideal. What epic poem of our times begins to compare in influence over the common mind with the stories of Scott and Cooper? Our novelist loved most to treat of scenes and characters distinctively national, and his name stands indelibly written on our fairest lakes and rivers, our grandest seas and mountains, our annals of early sacrifice and daring. With some of his criticisms on society, and some of his views of political and historical questions, I have personally little sympathy. But, when it is asked, in the impartial standard of critical justice, what influence has he exerted over the moral tone of American literature, or to what aim has he wielded the fascinating pen of romance, there can be but one reply. With him, fancy has always walked hand in hand with purity, and the ideal of true manhood, which is everywhere most prominent in his works, is one of which we may well be proud as a nation and as men. The element of will, perhaps more strongly than intellectual analysis, or exquisite sensibility, or high imagination, is the distinguished characteristic of his heroes, and in this his portraitures are good types of what is strongest in the practical American mind. His model man, whether forester, sailor, servant, or gentleman, is always bent on bringing some especial thing to pass, and the progress from the plan to the achievement is described with military or naval exactness. Yet he never overlooks any of the essential traits of a noble manhood, and loves to show how much of enterprise, courage, compassion, and reverence, it combines with practical judgment and religious principle.