and there find, in an age of sickening heartlessness, refreshing scenes of household sincerity, patient endurance of hardship, showing that even that depraved age was not utterly devoid of the heroic and the pure. M. Houssaye is no rigid moralist, he employs no historic pillory, and often displays the painful flippancy of the modern French school on religious points, but he does honor to these better traits of humanity when he meets them. And we are not sure but that the morality of the work is the more impressive for the absence of the didactic. Here is little danger of our falling in love with vice, seductive as she appears in the annals of Louis XV., for we see the rotten canvas as well as the brilliant scene. We remember with the gaudy blossoms of 1740-60, the ashen fruit of 1789-'95. It is as hard to select extracts from M. Houssaye's volumes on account of the _embarras des richesses_, as it would be to choose a gem or two for our drawing-room from a gallery of Watteau and Greuze, or a row of Laucret's _passets_. Much as the reader, we doubt not, will enjoy those we have picked for him, he will still find equal or greater pleasure in those we have left untouched. Here are the first steps in the ascent of Madame de Pompadour to that "bad eminence" she attained of virtual though virtueless Queen of France. The entire sketch is the best life of this celebrated woman with which we are acquainted: "Madame de Pompadour was born in Paris, in 1720. She always said it was 1722. It is affirmed, that Poisson, her father, at least the husband of her mother, was a sutler in the army; some historians state that he was the butcher of the Hospital of the Invalides, and was condemned to be hung; according to Voltaire, she was the daughter of a farmer of Ferte-sous-Jouarre. What matters it, since he who was truly a father to her was the farmer-general, Lenormant de Tourneheim. This gentleman, thinking her worthy of his fortune, took her to his home, and brought her up, as if she had been his own daughter. He gave her the name of Jeanne-Antoinette. She bore till she was sixteen years of age this sweet name of Jeanne. From her infancy, she exhibited a passion for music and drawing. All the first masters of the day were summoned to the hotel of Lenormant de Tourneheim. Her masters did not disgust Jeanne with the fine arts of which she was so fond. Her talent was soon widely known. Fontenelle, Duclos, and Crebillon, who were received at the hotel as men of wit, went about every where, talking of her beauty, her grace, and talent.