"The hotel of the newly-married couple, _Rue-Croix-des-Petits-Champs_, was established on a lordly footing; the best company in Paris left the fashionable _salons_ for that of Madame D'Etioles until that time, there had never been such a gorgeous display of luxury in France. The young bride hoped by this means to make something of a noise at court, and thus excite the curiosity of the king. Day after day passed away in feasts and brilliant entertainments. Celebrated actors, poets, artists, and foreigners, all made their rendezvous at this hotel, the mistress of which was its life and ornament; all the world went there, in one word, except the king." The painters are among the pleasantest personages of Mr. Houssaye's book, as they generally are in whatever society or whatever time we find them, all the world over. Watteau is familiar to us all, if not from his works, at second-hand in engravings, or those dainty little china shepherdesses and shepherds which we have seen on our grandmothers' mantel-pieces, and which are again emerging from the glass corner cupboard to the rosewood and mirrored etagere. The following passages descriptive of his early life, are full of animation: "He was born in 1684, at the time the king of France was bombarding Luxembourg. His family was poor, as a matter of course. He was put to school just long enough not to learn any thing. He was never able to read and write without great difficulty, but it was not in that his strength lay. He learned early to discover genius in a picture, to copy with a happy touch the gay face of Nature. There had been painters in his family, among others, a great uncle, who had died at Antwerp, without leaving any property. The father of Watteau had little leaning toward painting; but he was one of those who let men and things here below take their course. Watteau, therefore, was permitted to take his. Now Watteau was born a painter. God had given him the fire of genius, if not genius. His first master was chance, the greatest of all masters after God. His father lived in the upper story of a house with its gable-end to the street. Watteau had his nose out of the window oftener than over a book; he loved to amuse himself with the varied spectacle of the street. Sometimes it was the fresh-looking Flemish peasant-girl, driving her donkey through the market-place, sometimes the little girls of the neighborhood, playing at shuttlecock during the fine evenings. Peasant-maid and little child were traced in original lines in the memory of the scholar; he already admired the indolent _naivete_ of the one, the prattling grace of the other. He had his eye also on some smiling female neighbor, such as are to be found every where; but the most attractive spectacle to him was that of