The International Monthly, Volume 5, No. 3, March, 1852Various
History
The International Monthly, Volume 5, No. 3, March, 1852
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
"He left the opera with his master, as soon as the new
decorations were finished. Besides Gillot, the great designer
of fauns and naiads had returned there more flourishing than
ever. The master returned to Valenciennes, Watteau remained at
Paris, desiring to depend upon his fortune, good or bad. He
passed from the opera into the studio of a painter of
devotional subjects, who manufactured St. Nicholases for Paris
and the provinces, to suit to the price. So Watteau
manufactured St. Nicholases, 'My pencil,' he said, 'did
penance.' The opera always attracted him; there he could give
free scope to all the extravagance of his fancy, to all the
charming caprices of his pencil; but at the opera, his master
and himself had given way to Gillot; and the latter was not
disposed to give way to any body."
An allegro morceau from the life of Gretry:
A MONK OF A BAD PATTERN.
"Other adventures also occurred, to convince Remacle that his
fellow-travellers were worthy of him. Ever in dread of the
before-mentioned officers, the old smuggler forced them to make
a _detour_ of some leagues, to see, as he said with a
disinterested air, a superb monastery, where alms were bestowed
once a week on all the poor of the country. On entering the
great hall, in the midst of a noisy crowd, Gretry saw a fat
monk, mounted on a platform, who was angrily superintending
this Christian charity. He looked as if he would like rather to
exterminate his fellow-creatures than aid them to live; he was
just bullying a poor French vagabond who implored his aid. When
he suddenly saw the noble face of Gretry he approached the
young musician.--'It is curiosity which brings you here,' he
remarked with vexation.--'It is true,' said Gretry, bowing;
'the beauty of your monastery, the sublimity of the scenery,
and the desire of contemplating the asylum where the
unfortunate traveller is received with so much humanity, have
drawn us from our route. In beholding you, I have seen the
angel of mercy. All the victims of sorrow should bless your
edifying gentleness. Tell me, father, do you make as many happy
every day as I have just witnessed?'
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account