The International Monthly, Volume 5, No. 3, March, 1852Various
History
The International Monthly, Volume 5, No. 3, March, 1852
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
"Lucile was a contrast to Jenny; she was a beautiful girl, gay,
enthusiastic, and frolicksome, with all the caprices of such a
disposition. She was almost a portrait of her father, and
possessed, besides, the same heart and the same mind. 'Who
knows,' said poor Gretry, 'but that her gayety may save her.'
She was unfortunately one of those precocious geniuses who
devour their youth. At thirteen she had composed an opera which
was played every where, _Le Marriage d'Antonio_. A journalist,
a friend of Gretry, who one day found himself in Lucile's
apartment, without her being aware of it, so much was she
engrossed with her harp, has related the rage and madness which
transported her during her contests with inspiration, that was
often rebellious. 'She wept, she sang, she struck the harp with
incredible energy. She either did not see me, or took no notice
of me; for my own part, I wept with joy, in beholding this
little girl transported with so glorious a zeal, and so noble
an enthusiasm for music.'
"Lucile had learned to read music before she knew her alphabet.
She had been so long lulled to sleep with Gretry's airs, that
at the age when so many other young girls think only of hoops
and dolls, she had found sufficient music in her soul for the
whole of a charming opera. She was a prodigy. Had it not been
for death, who came to seize her at sixteen like her sister,
the greatest musician of the eighteenth century would, perhaps,
have been a woman. But the twig, scarcely green, snapped at the
moment when the poor bird commenced her song. Gretry had Lucile
married at the solicitation of his friends. 'Marry her, marry
her,' they incessantly repeated; 'if Love has the start of
Death, Lucile is safe.' Lucile suffered herself to be married
with the resignation of an angel, foreseeing that the marriage
would not be of long duration. She suffered herself to be
married to one of those artists of the worst order, who have
neither the religion of art nor the fire of genius, and who
have still less heart, for the heart is the home of genius. The
poor Lucile saw at a glance the desert to which her family had
exiled her. She consoled herself with a harp and a harpsichord;
but her husband, who had been brought up like a slave, cruelly
took delight, with a coward's vengeance, in making her feel all
the chains of Hymen. She would have died, like Jenny, on her
father's bosom, amidst her loving family, after having sung her
farewell song; but thanks to this barbarous fellow, she died in
his presence, that is to say, alone. At the hour of her death,
'Bring me my harp!' said she, raising herself a little. 'The
doctor has forbidden it,' said this savage. She cast a bitter,
yet a suppliant look upon him. 'But as I am dying!' said she.
Public-domain text, read in full here on John Shaqi.
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