The International Monthly, Volume 5, No. 3, March, 1852Various
History
The International Monthly, Volume 5, No. 3, March, 1852
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
"Although carriages are permitted to drive from the railway
terminus at Rowsley, to the pretty and pleasant inn at Edenson,
by a road which passes directly under the house, the stranger
should receive his first impressions of Chatsworth from one of
the surrounding heights. It is impossible to convey a just idea
of its breadth and dignity; the platform upon which it stands
is a fitting base for such a structure; the trees, that at
intervals relieve and enliven the vast space, are of every rich
variety, the terraces nearly twelve hundred feet in
extent--'the emperor fountain' throwing its jet two hundred and
seventy feet into the air, far overtopping the avenue of
majestic trees, of which it forms the centre. The dancing
fountain, the great cascade, even the smaller fountains
(wonderful objects any where, except here, where there are so
many more wonderful) sparkle through the foliage; while all is
backed by magnificent hanging woods, and the high lands of
Derbyshire, extending from the hills of Matlock to Stony
Middleton. And the foreground of the picture is, in its way,
equally beautiful; the expansive view, the meadows now broken
into green hills and mimic valleys, the groups of fallow deer,
and herds of cattle, reposing beneath the shade of
wide-spreading chestnuts, or the stately beech--all is harmony
to perfection; nothing is wanting to complete the fascination
of the whole. The enlarged and cultivated minds which conceived
these vast yet minute arrangements, did not consider minor
details as unimportant; every tree, and brake, and bush; every
ornament, every path, is exactly in its right place, and seems
to have ever been there. Nothing, however great, or however
small, has escaped consideration; there are no bewildering
effects, such as are frequently seen in large domains, and
which render it difficult to recall what at the time may have
been much admired; all is arranged with the dignity of order;
all, however graceful, is substantial; the ornaments sometimes
elaborate, never descend into prettiness; the character of the
scenery has been borne in mind, and its beauty never outraged
by extravagance. All is in harmony with the character which
nature in her most generous mood gave to the hills and valleys;
God has been gracious to the land, and man has followed in the
pathway He has made.
[Illustration: THE TEMPLE CASCADE.]
[Illustration: THE WELLINGTON ROCK AND CASCADE.]
Public-domain text, read in full here on John Shaqi.
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