The International Monthly, Volume 5, No. 4, April, 1852Various
History
The International Monthly, Volume 5, No. 4, April, 1852
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
"Any observations I might be tempted to make on New-York, or
even, I am inclined to think, on any of the civilized parts
of the states, would probably be neither novel nor
interesting. I am not ambitious of circulating more
'American notes,' nor do I care to follow in the footsteps
of Mrs. Trollope. Enough has been written to illustrate the
singularities of second-rate American society. Good society
is the same all over the world. General remarks I hold to be
fair play. But to indulge in personalities is a poor return
for hospitality; and those Americans who are most willing to
be civil to foreigners, receive little enough encouragement
to extend that civility, when, as is too often the case,
those very foreigners afterwards attempt to amuse their
friends on one side of the Atlantic, at the expense of a
breach of good faith to their friends on the other. Every
one has his prejudices: I freely confess I have mine. I like
London better than New-York, but it does not, therefore,
follow that I dislike New-York, or Americans either. I have
a great respect for almost every thing American--I do not
mean to say that I have any affection for a thorough bred
Yankee, in our acceptation of the term; far from it, I think
him the most offensive of all bipeds in the known world.
Yankee snobs too I hate--such as infest Broadway, for
instance, genuine specimens of the genus, according to the
highest authorities. The worst of New-York is its
superabundance of snobbism. The snob here is a snob "_sui
generis_" quite beyond the capacities of the old world.
There is no mistaking him. He is cut out after the most
approved pattern. If he differs from the original, or
whatever that might have been, it must be in a surpassing
excellence of snobbism which does credit to the progressive
order of things. Tuft-hunting is a sport he pursues with
delight to himself, but without remorse or pity for his
victim. It is necessary for the object of his persecutions
to be constantly on the alert. He is frequently seen
prowling about in white kid gloves, patent leather boots,
and Parisian hat. Whenever this is the case, he must be
considered dangerous and bloody-minded, for in all
probability he is meditating a call. Often he has been known
to run his prey to ground in the Opera or other public
places, and there to worry them within less than an inch of
their good temper. Offensive as he is, generally speaking,
he sometimes acts on the defensive; for, not very well
convinced of his own infallibility, he is particularly
susceptible of affronts, to which his assumed consequence
not unfrequently makes him liable. Baits are often proffered
by these swell-catchers to lure the unwary. Such as an
introduction to the nymphs of the _corps de ballet_; the
Public-domain text, read in full here on John Shaqi.
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