The International Monthly, Volume 5, No. 4, April, 1852Various
History
The International Monthly, Volume 5, No. 4, April, 1852
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
The next step is to religion,--or, at least, to its forms and
ceremonies. We see the vignette of an altar-table, covered with a fair
cloth, whereon stand a crucifix, and a pair of long waxen tapers, in
full blaze, a holy-water pot, and a sprinkling-brush, are placed beside
the table, beneath which is spread a handsome carpet. So much for the
emblem; now for the text:
"Doña Agustina Lopez de Rosas, the citizens Don Prudencio
and Don Gervacio Ortiz de Rosas, and others, brothers, wife,
and sons of the deceased Don Leon Ortiz de Rosas (Q.E.P.D.),
invite those gentlemen who, by accident, have not received
notes of invitation, to accompany them to pray to God for
mercy on the soul of the aforesaid deceased, in the
Cathedral Church, at ten o'clock of the 20th of March
current, by which they will feel under infinite obligation."
The next is a more than half-obliterated impression of an image of the
sun, partly obscured by clouds, with the obligato crucifix in the midst,
headed "Ave Maria;"--it is the third advertisement (_tercer aviso_), and
is addressed by the Superiors (Mayordomos) of the most Holy Rosary to
all faithful and devout sons of the most holy Mary.
The text of this address we need not give; the substance will be
sufficient. It tells the history of the completion of the two naves and
other parts of the church of the Patriarch San Domingo, which have been
painted, whitewashed, and otherwise decorated, in the sight of all the
faithful (_à la vista de todos los fieles_), and--to make a long story
short--money is wanted to make it what the priests wish it, and'
therefore the superiors intend to stand daily in the chief porch to
receive subscriptions, the smallest sums being--as in England, and every
where else--most gratefully received.
Public-domain text, read in full here on John Shaqi.
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