The International Monthly, Volume 5, No. 4, April, 1852Various
History
The International Monthly, Volume 5, No. 4, April, 1852
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
"The recipiendary is led by a darksome path into a large hall, the
ceiling, the walls, the floor of which are covered by a black cloth,
sprinkled over with red flames and menacing serpents; three sepulchral
lamps emit from time to time a dying glimmer, and the eye half
distinguishes, in this lugubrious den, certain wrecks of mortality
suspended by funeral crapes; a heap of skeletons forms in the centre a
sort of altar; on both sides of it are piled books; some contain menaces
against the perjured; others the deadly narrative of the vengeance which
the invisible spirit has exacted; of the infernal evocations for a long
time pronounced in vain.
"Eight hours elapse. Then phantoms, trailing mortuary vails, slowly
cross the hall and sink in caverns, without audible noise of trapdoors
or of falling. You notice only that they are gone by a fetid odor
exhaled from them.
"The novice remains four and twenty hours in this gloomy abode, in the
midst of a freezing silence. A rigorous fast has already weakened his
thinking faculties. Liquors prepared for the purpose first weary and at
length wear out his senses. At his feet are placed three cups, filled
with a drink of a greenish color. Necessity lifts them to his lips:
involuntary fear repels them.
"At last appear two men: looked upon as the ministers of Death. These
gird the pale brow of the recipiendary with an auroral-colored-ribbon
dipped in blood, and full of silvered characters mixed with our lady of
Loretto. He receives a copper crucifix, of two inches length: to his
neck are hung a sort of amulets wrapped in violet cloth. He is stripped
of his clothes; which two ministering brethren deposit on a funeral
pile, erected at the other end of the hall. With blood on his naked body
are traced crosses. In this state of suffering and humiliation, he sees
approaching with large strides five Phantoms armed with swords, and clad
in garments dropping blood. Their faces are vailed: they spread a velvet
carpet on the floor; kneel there, pray; and remain with outstretched
hands crossed on their breasts, and faces fixed on the ground in deep
silence. An hour passes in this painful attitude. After which fatiguing
trial, plaintive cries are heard; the funeral pile takes fire, yet casts
only a pale light; the garments are thrown on it and burnt. A colossal
and almost transparent figure rises from the very bosom of the pile. At
sight of it the five prostrated men fall into convulsions insupportable
to look on: the too faithful image of those foaming struggles wherein a
mortal, at hand-grips with a sudden pain, ends by sinking under it.
"Then a trembling voice pierces the vault, and articulates the formula
of those execrable oaths that are to be sworn: my pen falters: I think
myself almost guilty to retrace them."
Public-domain text, read in full here on John Shaqi.
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