The International Monthly, Volume 5, No. 4, April, 1852Various
History
The International Monthly, Volume 5, No. 4, April, 1852
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
It were well if not only William B. Astor, Stephen Whitney, the heirs of
Peter Stuyvesant (of blessed memory), and others who own real estate in
this city, and likewise all mayors, common councilmen, and others in
authority, were endued with more taste, with a higher regard to the
general interest, and a juster sense of the matters that pertain to a
good administration, so that it might be said in after times that the
beneficence of the Creator (who in things natural has done more for ours
than for any other city), had been seconded by the pious wisdom of the
creature, and Manhattan pointed to as in all respects the metropolis of
the world. Why not? If the very stones in the streets of London, Paris,
and Vienna, were turned to pure gold, they would not purchase for those
cities advantages that should be compared with such as we already
possessed by our beautiful island--a giant mosaic, set in emerald,
studding the bosom of Nature.
Whatever may be said by our excellent neighbor, the minister of the
dingy-looking red brick meeting-house round the corner, it is not less a
work of piety to create any work of beauty--a beautiful house, or shop,
or poem, for example--than to teach a class in the Sunday school,--which
doctrine may be incidentally fortified from Jonathan Edwards's Theory of
True Virtue, and more directly from the best philosophies of later
years. It is ordered that the dignity of human nature shall in a great
degree be dependent upon a sympathetic association with what is
admirable. It was Hazlitt, we believe,--certainly it was some one who
appreciatingly recognized the highest earthly ministry,--who said it was
impossible to entertain an angry feeling in the presence of a lovely
woman's portrait,--which, done fitly, is the highest accomplishment of
art. Whatever is beautiful or sublime has the same purifying and
ennobling tendency. The beggars do shrewdly who sit in _front_ of
Stewart's. The same person who would give a shilling there, would as
likely as not steal a penny from the hat of the blind man round the
corner, where those detestable red bricks so outrage every principle
known to a builder fit to handle the trowel. There is nothing more
offensive than this custom of making of different materials the various
fronts of the same edifice. It may be allowable to construct the _rear_
of a house, or a side that is to be built against speedily, of a cheaper
stone; but to make the face upon one street of marble, and the face
around the corner of brick, as in the case of Stewart's store, and the
Society Library, is an outrage as ridiculous as it would be to make
alternate gores of a woman's skirt of Petersham and Brussels lace.
Bricks are very respectable; we say nothing in their dispraise; but to
any man of taste, an edifice is much more beautiful built entirely of
bricks than it is with but one of two exposed parts of marble; and let
us say to the affluent merchant to whom New-York is indebted for the
Public-domain text, read in full here on John Shaqi.
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