A number of authors have been influenced by the train of ideas developed by the philosopher Schopenhauer in 1851. Our conception of the universe originates through the fact that our intellect recasts the impressions coming to it from without in the moulds of time, space, and causality. The sensations from the interior of the organism, proceeding from the sympathetic nervous system, exert in the day-time an influence on our mood for the most part unconscious. At night, however, when the overwhelming influence of the day’s impressions is no longer felt, the impressions pressing upward from the interior are able to gain attention—just as in the night we hear the rippling of the spring that was rendered inaudible by the noise of the day. In what other way, then, could the intellect react upon these stimuli than by performing its characteristic function? It will transform the stimuli into figures, filling space and time, which move at the beginning of causality; and thus the dream originates. Scherner,[58] and after him Volkelt,[72] attempted to penetrate into closer relations between physical sensations and dream pictures; but we shall reserve the discussion of these attempts for the chapter on the theory of the dream. In a study particularly logical in its development, the psychiatrist Krauss[39] found the origin of the dream as well as of deliria and delusions in the same element, viz. the organically determined sensation. According to this author there is hardly a place in the organism which might not become the starting point of a dream or of a delusion. Now organically determined sensations “may be divided into two classes: (1) those of the total feeling (general sensations), (2) specific sensations which are inherent in the principal systems of the vegetative organism, which may be divided into five groups: (_a_) the muscular, (_b_) the pneumatic, (_c_) the gastric, (_d_) the sexual, (_e_) the peripheral sensations (p. 33 of the second article).” The origin of the dream picture on the basis of the physical sensations is conceived by Krauss as follows: The awakened sensation evokes a presentation related to it in accordance with some law of association, and combines with this, thus forming an organic structure, towards which, however, consciousness does not maintain its normal attitude. For it does not bestow any attention on the sensation itself, but concerns itself entirely with the accompanying presentation; this is likewise the reason why the state of affairs in question should have been so long misunderstood (p. 11, &c.). Krauss finds for this process the specific term of “transubstantiation of the feeling into dream pictures” (p. 24).