The Intoxicated Ghost, and other storiesBates, Arlo
Science
The Intoxicated Ghost, and other stories
Bates, Arlo
Short stories, American; United States -- Social life and customs -- Fiction
The painter worked steadily and with almost feverish rapidity, and
before the end of the week he was able to substitute the second portrait
for the first when Ralph, who had been out of town for a few days, came
for his next sitting. Tom was not without a good deal of uneasy secret
curiosity in regard to the effect upon Thatcher of the changed picture.
He appreciated how great the alteration really was, a difference so
marked that he had lacked the courage to carry out his first intention
of exhibiting the new canvas to Celia. He excused himself for hesitating
to show her the portrait by the whimsical pretext that it would not be
the part of a gentleman to betray the discreditable traits of character
he believed himself to have discovered as among the possibilities of her
cousin's nature. What Ralph would himself say, the painter awaited with
uneasy eagerness, and as the latter, after the customary greetings,
walked up to the easel and stood regarding his counterfeit presentment,
Tom found himself more nervous than he would have supposed possible.
Ralph studied the picture a moment in silence.
"What in the devil," he burst out, "have you been doing to my picture?"
"What is the matter with it?" the artist asked, stepping beside him, and
in turn fixing his gaze on the portrait.
"I'm sure I don't know," Ralph replied, with a puzzled air; "but somehow
or other it seems to me to have changed from a rather decent-looking
phiz into a most accursedly low-lived one. Do I look like that?"
"I suppose a mirror would give a more disinterested answer to that
question than I could."
Claymore glanced up as he spoke, and hardly repressed an exclamation of
surprise. Ralph's whole expression was changing to correspond with that
of the portrait before him. Who has not, in looking at some portrait
which strongly impressed him, found in a little time that his own
countenance was unconsciously altering its expression to correspond with
that portrayed before him; and the chances that such a thing will occur
must be doubly great when the picture is one's own image.
Public-domain text, read in full here on John Shaqi.
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