The Intoxicated Ghost, and other storiesBates, Arlo
Science
The Intoxicated Ghost, and other stories
Bates, Arlo
Short stories, American; United States -- Social life and customs -- Fiction
The two men were daily approaching that point where it was probable that
they would come into open conflict. Ralph began to devise excuses for
avoiding the sittings, a fact that especially irritated the artist, who
was anxious to complete the work. The whole nature of their relations
toward each other had undergone a change, and all frankness and
friendliness seemed to have gone out of it. Sometimes Claymore felt
responsible for this, and at others he laughed at the idea that he had
in any way helped to alter Ralph. He was uneasy and unhappy, and when a
couple of weeks had gone by without a word from Celia, he resolved that
he would follow her to the mountains, and at least put an end to the
suspense which was becoming intolerable.
He sent word to Thatcher that he was going out of town for a few days,
packed his valise, and went down to his studio to put things to rights
for his absence. He arranged the two or three matters that needed
attention, looked at his watch, and found that he had something over
an hour before train time. He started toward the door of the studio,
hesitated, and then turned back to stand in front of the easel and
regard the nearly completed portrait of Ralph Thatcher.
It was a handsome face that looked out at him, and one full of
character; but in the full lips was an expression of sensuality almost
painful, and the eyes were selfish and cruel. The artist's first feeling
was one of gratified vanity at the cleverness with which his work had
been done. He had preserved the likeness, and scarcely increased the
apparent age of his sitter, while he had carried forward into repulsive
fullness the worst possibilities of which he could find trace in the
countenance of the original. As he looked, a cruel sense of triumph grew
in Claymore's mind. He felt that this portrait was the sure instrument
of his revenge against the man who had robbed him of the love of his
betrothed. He considered his coming interview with Celia, and so
completely was he possessed of the belief that he had lost her, that
he looked forward to the meeting as to a farewell.
At the thought a sudden pulse of emotion thrilled him. He saw Celia's
beautiful, high-bred face before him, and there came into his mind a
sense of shame, as if he were already before her and could not meet her
eyes. The sting of the deepest humiliation a high-minded man can know,
that of standing condemned and degraded in his own sight, pierced his
very soul.
"It is myself and not Ralph that I have been harming," ran his thought.
"It has never occurred to me that, even if I was dragging him down, I
had flung myself into the slime to do it. Good heavens! Is this the sort
of man I am? Am I such a sneak as to lurk in the dark and take advantage
of the confidence he shows by putting himself into my hands! Celia is
right; she could not be herself and not prefer him to the blackguard I
have proved myself."
Public-domain text, read in full here on John Shaqi.
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