2. Work of Art as addressed to Man's Sense 60-78 [(_a_) Object of Art--Pleasant Feeling? 60 (_b_) Feeling of Beauty--Taste 63 (_c_) Art-scholarship 65 (_d_) Profounder Consequences of Sensuous Nature of Art 66 ([Greek: a]) Relations of the Sensuous to the Mind 67 ([Greek: aa]) Desire 68 ([Greek: bb]) Theory 70 ([Greek: gg]) Sensuous as Symbol of Spiritual 72 ([Greek: b]) The Sensuous Element, how Present in the Artist 74 ([Greek: g]) The _Content_ of Art Sensuous] 78 PART II.--The End of Art. 3. [The Interest or End of Art (79-106) (_a_) Imitation of Nature? 79 ([Greek: a]) Mere Repetition of Nature is-- 79 ([Greek: aa]) Superfluous 80 ([Greek: bb]) Imperfect 80 ([Greek: gg]) Amusing merely as Sleight of Hand 82 ([Greek: b]) _What_ is Good to Imitate? 83 ([Greek: g]) Some Arts cannot be called Imitative 85 (_b_) _Humani nihii_--? 87 (_c_) Mitigation of the Passions? 90 ([Greek: a]) _How_ Art mitigates the Passions 91 ([Greek: b]) _How_ Art purifies the Passions 94 ([Greek: aa]) It must have a Worthy Content 95 ([Greek: bb]) But ought not to be Didactic 95 ([Greek: gg]) Nor explicitly addressed to a _Moral_ Purpose 98 (_d_) Art has its own Purpose as Revelation of Truth] 105 CHAPTER IV. HISTORICAL DEDUCTION OF THE TRUE IDEA OF ART IN MODERN PHILOSOPHY (107-132). 1. Kant 107 [(_a_) Pleasure in Beauty not Appetitive 110 (_b_) Pleasure in Beauty Universal 111 (_c_) The Beautiful in its Teleological Aspect 112 (_d_) Delight in the Beautiful _necessary_ though _felt_] 113 2. Schiller, Winckelmann, Schelling 116 3. The Irony 120 CHAPTER V. DIVISION OF THE SUBJECT (133-175).