The Introduction to Hegel's Philosophy of Fine Arts: Translated from the German with Notes and Prefatory Essay — John Shaqi
The Introduction to Hegel's Philosophy of Fine Arts: Translated from the German with Notes and Prefatory EssayHegel, Georg Wilhelm Friedrich
Philosophy
The Introduction to Hegel's Philosophy of Fine Arts: Translated from the German with Notes and Prefatory Essay
Hegel, Georg Wilhelm Friedrich
Aesthetics; Art -- Philosophy
towards apprehending the rest. It is for this reason that I propose, in
the first place, to explain, by prominent examples, the conception of
a spiritual world which is present and actual, and then to let Hegel
speak for himself on the particular sphere of art. So closely connected
indeed are all the embodiments of mind, that the Introduction to the
"Philosophy of Fine Art" is almost a microcosm of his entire system.
We know, to our cost, the popular conception of the supra-sensuous
world. Whatever that world is, it is, as commonly thought of, not here
and not now. That is to say, if here and now, it is so by a sort of
miracle, at which we are called upon to wonder, as when angels are
said to be near us, or the dead to know what we do. Again, it is a
counterpart of our present world, and rather imperceptible to _our_
senses, than in its nature beyond contact with sense as such. It is
peopled by persons, who live eternally, which means through endless
ages, and to whose actual communion with us, as also to our own
with God, we look forward in the future. It even perhaps contains a
supra-sensuous original corresponding to every thing and movement in
this world of ours. And it does _not_ necessarily deepen our conception
of life, but only reduplicates it.
Such a world, whatever we may think about its actual existence, is
_not_ the "other world" of philosophy. The "things not seen" of Plato
or of Hegel are not a double or a projection of the existing world.
Plato, indeed, wavered between the two conceptions in a way that should
have warned his interpreters of the divergence in his track of thought.
But in Hegel, at least, there is no ambiguity. The world of spirits
with him is no world of ghosts. When we study the embodiments of mind
or spirit in his pages, and read of law, property, and national unity;
of fine art, the religious community, and the intellect that has
attained scientific self-consciousness, we may miss our other world
with its obscure "beyond," but we at any rate feel ourselves to be
dealing with something real, and with the deepest concerns of life.
We may deny to such matters the titles which philosophy bestows upon
them; we may say that this is no "other world," no realm of spirits,
nothing infinite or divine: but this matters little so long as we know
what we are talking about, and are talking about the best we know. And
what we discuss when Hegel is our guide, will _always_ be some great
achievement or essential attribute of the human mind. He never asks,
"Is it?" but always "What is it?" and therefore has instruction, drawn
from experience, even for those to whom the titles of his inquiries
seem fraudulent or bombastic.
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