The Introduction to Hegel's Philosophy of Fine Arts: Translated from the German with Notes and Prefatory EssayHegel, Georg Wilhelm Friedrich
Philosophy
The Introduction to Hegel's Philosophy of Fine Arts: Translated from the German with Notes and Prefatory Essay
Hegel, Georg Wilhelm Friedrich
Aesthetics; Art -- Philosophy
(_a_) Now this complacency is, in the first place, to be devoid of any
interest, i.e., _devoid of relation to our appetitive faculty_. If
we have an interest, by way of curiosity for instance, or a sensuous
interest on behalf of our sensuous want, a desire of possession and
use, then the objects are not important to us for their own sake, but
for the sake of our want. In that case, what exists has a value only
with reference to such a want, and the relation is of such a kind that
the object is on the one side, and on the other stands an attribution
which is distinct from the object, but to which we relate it. If, for
instance, I consume the object in order to nourish myself by it, this
interest lies only in me, and remains foreign to the object itself.
Now, what Kant asserts is, that the relation to the beautiful is not
of this kind. The æsthetic judgment allows the external existence
to subsist free and independent, giving licence to the object to
have its end in itself. This is, as we saw above, an important
consideration.[103]
(_b_) The beautiful, in _the second place_, says Kant, is definable
as that which, without a conception, _i.e._ without a category of the
understanding, is perceived as the object of a _universal_ delight.
To estimate the beautiful requires a cultivated mind; the natural
man[104] has no judgment about the beautiful, seeing that this judgment
claims universal validity. The universal is, indeed to begin with,
_as such_ an abstraction; but that which in itself and on its own
merits[105] is true, bears in itself the attribution and the claim
to be valid even universally. In this sense the beautiful, too, ought
to be _universally_ recognized, although the mere conceptions of the
understanding are competent to no judgment thereupon. The good, that,
for instance, which is right in particular actions, is subsumed under
universal conceptions, and the act passes for good when it succeeds
in corresponding to these conceptions. Beauty, on the other hand,
according to the theory, should awaken a universal delight directly,
without any such relation. This amounts to nothing else than that, in
contemplating beauty, we are not conscious of the conception and of the
subsumption under it, and do not permit to take place the severance
of the individual object and of the universal conception which in all
other cases is present in the judgment.
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