Female friendship -- Fiction; London (England) -- Social life and customs -- Fiction; Widows -- Fiction
It will be seen that Beaufort Chance had not given up the game; Lady
Blixworth's pin-pricks had done the work which they were probably
intended to do: they had incited him to defy Mrs. Bonfill, to try to win
off his own bat. She might discard him in favour of Mervyn, but he would
fight for himself. The dinner to which he bade Trix would at once assert
and favour intimacy; if he could put her under an obligation it would be
all to the good; flattering her vanity was already a valuable expedient.
That stupidity of his, which struck Viola Blixworth with such a sense of
its density, lay not in misunderstanding or misvaluing the common
motives of humanity, but in considering that all humanity was common: he
did not allow for the shades, the variations, the degrees. Nor did he
appreciate in the least the mood that governed or the temper that swayed
Trix Trevalla. He thought that she preferred him as a man, Mervyn as a
match. Both of them were, in fact, at this time no more than figures in
the great _ballet_ at which she now looked on, in which she meant soon
to mix.
Mrs. Bonfill caught Trix as she went to her carriage--that smart
brougham was in waiting--and patted her cheek _more materno_.
'I saw you were enjoying yourself, child,' she said. 'What was all that
Beaufort had to say to you?'
'Oh, just nonsense,' answered Trix lightly.
Mrs. Bonfill smiled amiably.
'He's not considered to talk nonsense generally,' she said; 'but perhaps
there was someone you wanted to talk to more! You won't say anything, I
see, but--Mortimer stayed late! He's coming to luncheon to-morrow. Won't
you come too?'
'I shall be delighted,' said Trix. Her eyes were sparkling. She had
possessed wit enough to see the vacillation of Mrs. Bonfill. Did this
mean that it was ended? The invitation to lunch looked like it. Mrs.
Bonfill believed in lunch for such purposes. In view of the invitation
to lunch, Trix said nothing about the invitation to dinner.
As she was driven from Grosvenor Square to the flat by the river, she
was marvellously content--enjoying still, not thinking, wondering, not
feeling, making in her soul material and sport of others, herself
seeming not subject to design or accident. The change was great to her;
the ordinary mood of youth that has known only good fortune seemed to
her the most wonderful of transformations, almost incredible. She
exulted in it and gloated over the brightness of her days. What of
others? Well, what of the players in the pantomime? Do they not play for
us? What more do we ask of or about them? Trix was not in the least
inclined to be busy with more fortunes than her own. For this was the
thing--this was what she had desired.
How had she come to desire it so urgently and to take it with such
recklessness? The words of the shabby man on the boulevards came back to
her. 'Life has played with you; go and play with it. You may scorch your
fingers; for the fire burns. But it's better to die of heat than of
cold.'
Public-domain text, read in full here on John Shaqi.
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