As I look up, it seems light. At the first moment, I imagine that through the mist I see the stars; but the stars, as I gaze, flee into deeper and deeper depths, and I see only the snow falling into face and eyes, and the collar of my fur coat;[11] the sky has everywhere one tone of light, one tone of white,--colorless, monotonous, and constantly shifting. The wind seems to vary: at one moment it blows into my face, and flings the snow into my eyes; the next it goes to one side, and peevishly tosses the collar of my shuba over my head, and insultingly slaps me in the face with it; then it finds some crevice behind, and plays a tune upon it. I hear the soft, unceasing crunching of the hoofs and the runners on the snow, and the muffled tinkling of the bells, as we speed over the deep snow. Only occasionally when we drive against the wind, and glide over the bare frozen crust, I can clearly distinguish Ignat's energetic whistling, and the full chords of the chime, with the resounding jarring fifth; and these sounds break suddenly and comfortingly upon the melancholy character of the desert; and then again rings monotonously, with unendurable fidelity of execution, the whole of that motive which involuntarily coincides with my thoughts. One of my feet began to feel cold, and when I turned round so as to protect it better, the snow which covered my collar and my cap sifted down my neck, and made me shiver; but still I was, for the most, comfortable in my warm shuba, and drowsiness overcame me. [Footnote 10: Condensed form for Dmitriyévitch, "son of Dmitri." The peasants often call each other by the patronymic.] [Footnote 11: _shuba._] VI. Things remembered and things conceived mixed and mingled with wonderful quickness in my imagination. "The mentor who is always shouting from the second sledge, what kind of a man must he be? Probably red-haired, thick-set, with short legs, a man somewhat like Feódor Filíppuitch our old butler," is what I say to myself. And here I see the staircase of our great house, and five of the house-servants who with towels, with heavy steps, carry the pianoforte from the L; I see Feódor Filíppuitch with the sleeves of his nankeen coat tucked up, carrying one of the pedals, and going in advance, unbolting the door, taking hold of the door-knob here, there pushing a little, now crawling under the legs; he is here, there, and everywhere, crying with an anxious voice continually, "Look out, take more weight, you there in front! Be careful, you there at the tail-end! Up--up--up--don't hit the door. There, there!" "Excuse me, Feódor Filíppuitch! There ain't enough of us," says the gardener timidly, crushed up against the balustrade, and all red with exertion, lifting one end of the grand with all his remaining strength. But Feódor Filíppuitch does not hold his peace.