Russian fiction -- Translations into English; Short stories, Russian -- Translations into English
"Now each of you," I say, "make a chamber in the snow, and go to
sleep." The snow is soft and warm like wool. I make myself a room, and
am just going into it; but Feódor Filíppuitch, who has caught a glimpse
of my money in my travelling-case, says, "Hold! give me your money,
you won't need it when you're dead," and seizes me by the leg. I hand
him the money, asking him only to let me go; but they will not believe
that it is all my money, and they are going to kill me. I seize the old
man's hand, and with indescribable pleasure kiss it: the old man's hand
is tender and soft. At first he takes it away from me, but afterwards
he lets me have it, and even caresses me with his other hand.
Nevertheless, Feódor Filíppuitch comes near and threatens me. I hasten
to my chamber; it is not a chamber, but a long white corridor, and some
one pulls back on my leg. I tear myself away. In the hand of the man
who holds me back, remain my trousers and a part of my skin; but I feel
only cold and ashamed,--all the more ashamed because my auntie with her
sunshade, and homœopathic pellets, comes arm in arm with the drowned
man to meet me. They smile, but do not understand the signs that I
make to them. I fling myself after the sledge; my feet glide over the
snow, but the little old man follows after me, flapping his elbows. He
comes close to me. But I hear just in front of me two church-bells, and
I know that I shall be safe when I reach them. The church-bells ring
nearer and nearer; but the little old man has caught up with me, and
falls with his body across my face, so that I can scarcely hear the
bells. Once more I seize his hand, and begin to kiss it; but the little
old man is no longer the little old man, but the drowned man, and he
cries,--
"Ignashka, hold on! here are Akhmet's hayricks! just look!"
That is strange to hear! no, I would rather wake up.
I open my eyes. The wind is flapping the tails of Alyoshka's cloak into
my face; my knees are uncovered. We are going over the bare crust,
and the triad of the bells rings pleasantly through the air with its
dominant fifth.
I look, expecting to see the hayricks; but instead of hayricks, now
that my eyes are wide open, I see something like a house with a
balcony, and the crenellated walls of a fortress. I feel very little
interest in seeing this house and fortress; my desire is much stronger
to see the white corridor where I had been walking, to hear the sound
of the church-bells, and to kiss the little old man's hand. Again I
close my eyes and sleep.
IX.
I sleep sound. But all the time I can hear the chords of the bells,
and in my dream I can see a dog barking and jumping after me; then the
organ, one stop of which I seem to draw out; then the French poem which
I am composing. Then it seems to me that this triad is some instrument
of torture with which my right foot is constantly compressed. This was
so severe that I woke up, and opening my eyes I rubbed my leg. It was
beginning to grow numb with cold.
Public-domain text, read in full here on John Shaqi.
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