On that same day, toward the middle of December, 1813, between three
and four o'clock in the afternoon, Hullin, bending over his bench, was
finishing a pair of nailed shoes for the wood-cutter Rochart. Louise
had just put an earthenware porringer down on the little iron stove,
which sang and crackled in a plaintive manner, while the old clock
counted the seconds in its monotonous tic-tac. Outside, all along the
street, could be perceived small pools of water, covered with a coating
of thin white ice, announcing the approach of intense cold. At times
the sound of great wooden shoes, running along the hardened road, could
be heard, and a felt hat, a cape, or a woollen cap would pass by: then
the noise would cease, and the plaintive hissing of the green wood in
the flames, the humming of Louise's spinning-wheel, and the boiling of
the porridge-pot again prevailed. This had gone on for about two
hours, when Hullin, glancing accidentally through the little
window-panes, stopped his work, and remained with his eyes wide open,
staring, as though absorbed by some unusual spectacle.
In fact, at the corner of the street, in front of the "Trois Pigeons,"
there advanced, in the midst of a crowd of whistling, jumping, and
shouting boys, who called out "The King of Diamonds! The King of
Diamonds!"--There advanced, I say, one of the strangest personages
imaginable. Picture to yourself a red-headed, red-bearded man, with a
grave face, gloomy expression, straight nose, the eyebrows meeting on
the forehead, a circle of tin on the head, a gray dogskin floating over
the back, its forepaws tied around the neck; the chest covered with
little copper crosses, the legs clothed with a sort of gray cloth
trousers fastened above the ankle, and the feet bare. A great raven,
with black wings glossed over with white, was perched on his shoulder.
From his imposing gait one would have taken him for one of the ancient
Merovingian kings, such as are represented by the images of
Montbéliard; he held in the left hand a short thick stick in the shape
of a sceptre, and with the right he made ostentatious gestures, raising
his finger toward heaven, and apostrophizing his retinue.
All the doors opened on his passage; behind every pane appeared
inquisitive faces. Some few old women on the outer stairs of their
houses, called out to the madman, who would not deign to turn his head;
others went down into the streets and tried to prevent him passing; but
he, lifting his head and raising his eyebrows, with one word and a
sign, forced them to make way.
"Hullo!" said Hullin, "here is Yégof. I did not expect to have seen
him again this winter. It is not one of his customs. What on earth
can bring him back in such weather?"
Public-domain text, read in full here on John Shaqi.
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