At that time I could not guess that I was to invent a form of printing
different even from this new and original form, a method which was to be
based not on mechanical but purely chemical properties. Even this
method, new in 1796, still was purely mechanical in its purpose, whereas
the present printing method, which I began in 1799, may be called purely
chemical.
I had just ground a stone plate smooth in order to treat it with etching
fluid and to pursue on it my practice in reverse writing, when my mother
asked me to write a laundry list for her. The laundress was waiting, but
we could find no paper. My own supply had been used up by pulling
proofs. Even the writing-ink was dried up. Without bothering to look
for writing materials, I wrote the list hastily on the clean stone, with
my prepared stone ink of wax, soap, and lampblack, intending to copy it
as soon as paper was supplied.
As I was preparing afterward to wash the writing from the stone, I
became curious to see what would happen with writing made thus of
prepared ink, if the stone were now etched with aqua fortis. I thought
that possibly the letters would be left in relief and admit of being
inked and printed like book-types or wood-cuts. My experience in
etching, which had showed me that the fluid acted in all directions, did
not encourage me to hope that the writing would be left in much relief.
But the work was coarse, and therefore not so likely to be under-cut as
ordinary work, so I made the trial. I poured a mixture of one part aqua
fortis and ten parts of water over the plate and let it stand two inches
deep for about five minutes. Then I examined the result and found the
writing about one tenth of a line or the thickness of a playing-card in
relief.
A few finer strokes had been injured slightly, but the others had hardly
lost breadth noticeably and not at all in depth, so that I had good
reason to hope that a well-written plate, particularly in type letter,
would be susceptible of much better relief.
Eagerly I began inking in. I used a fine leather ball, stuffed with
horsehair, and inked it very gently with thick linseed oil varnish and
lampblack. I patted the inscription many times with this ball. The
letters all took the color well, but it also went into all spaces
greater than half a line. That this was due to the over-great elasticity
of the ball was clear to me. So I cleansed my plate with soap and water,
made the leather tense, and used less color. Now I found color only in
such spaces as were two or more lines apart.
I saw that I could attain my purpose better with a dauber of stiffer
material. I tried at once with a piece of glass from a broken mirror,
and as this succeeded fairly well, I tried elastic metal plates. Finally
I made an entirely satisfactory appliance out of a thin board, very
smoothly planed and covered with a fine cloth.
Public-domain text, read in full here on John Shaqi.
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