My printing succeeded absolutely. Gleissner marveled at the swiftness
and beauty of the impressions, and, knowing my penniless condition, he
offered of his own free will to pay for a small printery.
My mother had given me a press already. It was the ordinary copper-plate
press with two cylinders. True, it was very roughly made, being a house
carpenter's work, but it had cost only six gulden. However, one could
make very pretty impressions from stone with it. To spare Herr
Gleissner's treasury, I contented myself with it for the time. I bought
a small stock of stones, paper, and other necessary articles.
Herr Gleissner composed twelve songs with clavier accompaniment. I wrote
them rapidly on stone and made one hundred and twenty impressions with
the aid of a day laborer. Everything, composition, writing on stone and
printing, was finished in fourteen days. From Herr Falter, who bought
one hundred copies, Herr Gleissner received the sum of one hundred
gulden. Stones, which could be used over and over again, paper, color,
and wages had cost barely thirty gulden; thus we had a clear profit of
seventy gulden, earned in fourteen days, and I gained so much happy hope
that I thought myself richer than Croesus.
We were gay and merry. Through his patron, Count von Törring, then
President of the Royal Chamber, Herr Gleissner had presented an
impression of our first work to the Kurfürst Karl Theodor, and had
received one hundred gulden out of the Cabinet Treasury, with the
promise of a franchise.
A succeeding little piece of work, "Duets for Two Flutes, by Gleissner,"
brought forty gulden more into our chest, and finally our finances, as
well as a bright success for our institution, seemed assured by a
contract closed with the Countess von Herting to print a cantata on the
death of Mozart by Cannabich, the musical director, which promised us a
profit of one hundred and fifty gulden for two or three weeks' work.
During this time I had presented specimens of work to the Royal Academy
of Sciences, with a description of the advantages of the art, in which I
named particularly the cheapness, and said that the impression had been
made on a press costing not more than six gulden. To my amazement,
instead of the expected honorable mention, I received a sum of twelve
gulden from the vice-president of the Academy, Herr von Vachiery, with
the information that the members had voted favorably for my invention,
and that, as my expenses amounted to only six gulden, according to my
own statement, I would, no doubt, be satisfied with a sum double this. I
had expected an entirely different appreciation from the sentinels of
the arts and sciences, whose office was to test the value of this new
discovery and call the Government's attention to it if favorable. A mere
monetary reward, therefore, especially so small a one, could not
possibly give me much pleasure.
Public-domain text, read in full here on John Shaqi.
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