This letter, which contained no evidence but only lamentations, was
accompanied by another from her landlord in Vienna, a very reputable
merchant. It seemed to bear her out, for he warned me in it to be
cautious in my relations with Andre and to hurry to Vienna if I wished
to obtain the franchise, which could not escape me as a most influential
man had come to our support and it depended merely on the evidence to be
furnished by me.
Greatly as my suspicions were increased by this, I hoped that everything
was due merely to misunderstanding, and I proposed to Herr Andre to let
me go to Vienna, where I would inform myself thoroughly and make strong
efforts to obtain the franchise. He denied my request, saying that there
was nothing more to do in Vienna, as the Government had turned both
women away, and the whole plan was spoiled as the whole art and
copper-etching trade had become apprehensive and was united in
opposition to the new process. He said that I should rather go quickly
to work to transfer his music from zinc plates to the stone, because he
had an excellent opportunity to sell his entire stock of zincs, which
would give us a new capital of forty thousand gulden for the greater
enterprises.
I realized the good sense of this, but would not admit that a delay of
three or four weeks could interfere with it, as the entire transfers
could not be completed in less than a year, and the slight delay,
therefore, could be made up by additional work or by engaging a few more
assistants. I insisted on my demand, all the more as I had spent seven
months in England on his account. In the heat of the succeeding dispute
he reminded me of the helpless position in which he had found me, and
said that as partner in his business, I owed him all my present fortune.
Conscious as I was of my honest intention to help him to the best of my
ability, and also of the unbounded trustfulness with which I had
imparted to him far more than was called for in our contract, I was so
deeply hurt that I forgot myself and tore up our agreement, which had
been signed only the day before and which assured for me one fifth of
all profits of the Andre business. I threw the pieces down with the
exclamation that I did not wish to make my fortune through his means.
This was one of the most important moments in my life, and in the
process of lithography. It gave my work an entirely new direction,
hurled me into a mass of troubles, and brought it about that Herr Andre
himself did not gain anything like the expected profits from the new
art. Indeed, he lost heavily in London and France, whereas, had we
remained together, lithography might now be highly perfected in both
these countries and produce no small wealth for its users.
When Andre saw that I was determined to go to Vienna, he yielded, but
assured me that I would go in vain and achieve no result.
Public-domain text, read in full here on John Shaqi.
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