The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
Typography has a great advantage over other branches of printing in the
cheapness of its materials. Type-metal is cheaper by weight than copper
or steel, or the finer quality of lithographic stone: by measurement,
it is cheaper than the box-wood used by engravers. Types are cheaper
than engraved letters. A pound of the types by which this page is
printed contains about 320 pieces of metal, the cost of which is but
48 cents. Types are made of many forms or faces, but they are always
of uniform height, and are always [p024] truly square as to body,
so that they can be fitted to each other with precision, and can be
interchanged with facility.
The expense of combining types in words is trivial, as compared with
the cost of engraving for lithographic or for copper-plate printing.
An employing printer’s price for the composition of a page like this
would be, at the high rates of New-York city, $1.10. The engraving of
such a page, by any method, would cost at least three times as much
as the types and their composition. If never so carefully done, the
engraved letters would not be so uniform, nor so satisfactory to the
general reader, as the types. The engraved letters would cost more,
but they could be used only for the work for which they were made. In
typographic printing, there is no such restriction as to use, and no
such loss of labor. It is only the labor of composition which need be
lost; the types remain, but little more worn, or little less perfect,
than when they were first put in use.
[Illustration:
Letter H, from a Em, or full square Face of the letter as it
type of Canon body. of Canon body. appears on the body.
The Face of a Large Type, showing the manner in which the Letter is
placed on the Body.[2]]
The labor of composition is not always lost. A page of movable types
can be used for a mould, from which can be made a stereotype plate of
immovable letters. Stereotyping is a cheap process. A plate of this
page of type can be had for about one-half the cost of the composition.
The stereotype plate has all the advantages pertaining to an engraving
on a lithographic stone, and it is more durable and portable. [p025]
Typography has a marked advantage in the greater ease with which
printing types are inked. In the copper-plate process, the plate must
be first blackened over the entire surface, and then cleansed with even
greater care, before an impression can be taken. This labor cannot
be intrusted to machinery, but must be done by a practised workman.
The inking of a lithographic stone is as difficult: the stone must
be moistened before the inking roller can be applied. This double
operation of inking and cleansing, or of inking and moistening, is
required for every impression. The inking of types is done by a much
simpler method; one passage, to and fro, of a gang of rollers over the
surface is sufficient to coat them with ink. The types need no previous
nor after application.
[Illustration:
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